<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-6729296230050688175</id><updated>2012-02-16T05:44:55.955-05:00</updated><category term='architectural theory'/><category term='sustainable design'/><category term='Interboro'/><category term='urban planning'/><category term='Kyong Park'/><category term='urbanism'/><category term='shantytowns'/><category term='Beirut'/><category term='Michigan'/><category term='Village Voice'/><category term='gentrification'/><category term='Lithuania'/><category term='Peter Gluck'/><category term='landscape architecture'/><category term='human rights'/><category term='art'/><category term='Otpor'/><category term='Israel'/><category term='West Bank'/><category term='manufacturing'/><category term='parks'/><category term='local architecture'/><category term='Olin Partnership'/><category term='Serbia'/><category term='MC2'/><category term='sustainability'/><category term='Eyal Weizman'/><category term='Lebanon'/><category term='Oklahoma City'/><category term='graphic design'/><category term='design/build'/><category term='planning'/><category term='redevelopment'/><category term='punk rock'/><category term='affordable housing'/><category term='urban theory'/><category term='social architecture'/><category term='Balkans'/><category term='Mark Robbins'/><category term='computer-aided design'/><category term='Dubai'/><category term='B&apos;tselem'/><category term='Alan Moore'/><category term='Hashim Sarkis'/><category term='Flint'/><category term='Koreo'/><category term='Stephen Zacks'/><category term='Rand Elliott'/><category term='Albania'/><category term='FESPACO'/><category term='photography'/><category term='Steven Holl'/><category term='Vilnius'/><category term='Toshiko Mori'/><category term='urban development'/><category term='New York City'/><category term='science labs'/><category term='mapping'/><category term='museums'/><category term='Julia Czerniak'/><category term='African film'/><category term='memorial design'/><category term='Nigeria'/><category term='Omaha'/><category term='Richard Gluckman'/><category term='Main Street'/><category term='public art'/><category term='urban design'/><category term='Winka Dubbeldam'/><category term='criticism'/><category term='housing'/><category term='economics'/><category term='Nicosia'/><category term='democratic design'/><category term='political design'/><category term='Shrinking Cities'/><category term='Michael Bell'/><category term='Behnisch'/><category term='Panama'/><category term='Laura Kurgan'/><category term='historic landmarks'/><category term='suburban sprawl'/><category term='design'/><category term='Abuja'/><category term='film'/><category term='architecture'/><category term='bond ratings'/><category term='Tirana'/><category term='casinos'/><category term='Pentagram'/><category term='Detroit'/><title type='text'>Stephen Zacks</title><subtitle type='html'>Reports on Public Art, Architecture and Urbanism</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://www.stephenzacks.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6729296230050688175/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://www.stephenzacks.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Stephen Zacks</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://4.bp.blogspot.com/_Wpd9LA9RsGc/TUSeSfn00hI/AAAAAAAAAqY/T3UVLpfYQXQ/s220/profile%2Bpic%2Bbronx.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>27</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-6729296230050688175.post-1578902407285498827</id><published>2012-02-01T12:51:00.000-05:00</published><updated>2012-02-01T12:52:28.613-05:00</updated><title type='text'>Cleaning Oil Platform Wreckage in the Gulf</title><content type='html'>&lt;img border="0" src="http://2.bp.blogspot.com/-vvrzbvQZkvk/Tyl633S4oTI/AAAAAAAABqs/y09cyyWDX3s/s400/VersabarVB10000_Versabar.jpg" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.popsci.com/bown/2011/innovator/how-life-3500-tons"&gt;How to Lift 3,500 Tons:&amp;nbsp;Jon Khachaturian began his career putting offshore oil rigs in place. Now he pulls them back out&lt;/a&gt;.&amp;nbsp;&lt;i&gt;Popular Science&lt;/i&gt;, Dec. 2011.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6729296230050688175-1578902407285498827?l=www.stephenzacks.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6729296230050688175/posts/default/1578902407285498827'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6729296230050688175/posts/default/1578902407285498827'/><link rel='alternate' type='text/html' href='http://www.stephenzacks.com/2012/02/cleaning-oil-platform-wreckage-in-gulf.html' title='Cleaning Oil Platform Wreckage in the Gulf'/><author><name>Stephen Zacks</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://4.bp.blogspot.com/_Wpd9LA9RsGc/TUSeSfn00hI/AAAAAAAAAqY/T3UVLpfYQXQ/s220/profile%2Bpic%2Bbronx.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-vvrzbvQZkvk/Tyl633S4oTI/AAAAAAAABqs/y09cyyWDX3s/s72-c/VersabarVB10000_Versabar.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-6729296230050688175.post-6997027827290495719</id><published>2011-11-08T12:05:00.001-05:00</published><updated>2011-11-28T12:05:08.682-05:00</updated><title type='text'>Engaged Urbanism, Museums, German Luxury Cars</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-PFQaZHdEWRE/TrlgBehWbPI/AAAAAAAABg4/P59-niUFJd0/s1600/cultural_outlets_01.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="272" src="http://3.bp.blogspot.com/-PFQaZHdEWRE/TrlgBehWbPI/AAAAAAAABg4/P59-niUFJd0/s400/cultural_outlets_01.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://archpaper.com/news/articles.asp?id=5743" target="_blank"&gt;What does it mean when museums position themselves as engines of social change...powered by luxury car companies? Stephen Zacks considers new claims on the urban environment.&lt;/a&gt; &lt;i&gt;The Architects' Newspaper&lt;/i&gt;, Nov. 8, 2011.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6729296230050688175-6997027827290495719?l=www.stephenzacks.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6729296230050688175/posts/default/6997027827290495719'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6729296230050688175/posts/default/6997027827290495719'/><link rel='alternate' type='text/html' href='http://www.stephenzacks.com/2011/11/engaged-urbanism-museums-german-luxury.html' title='Engaged Urbanism, Museums, German Luxury Cars'/><author><name>Stephen Zacks</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://4.bp.blogspot.com/_Wpd9LA9RsGc/TUSeSfn00hI/AAAAAAAAAqY/T3UVLpfYQXQ/s220/profile%2Bpic%2Bbronx.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-PFQaZHdEWRE/TrlgBehWbPI/AAAAAAAABg4/P59-niUFJd0/s72-c/cultural_outlets_01.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-6729296230050688175.post-2825108601876057579</id><published>2011-09-29T12:38:00.001-04:00</published><updated>2011-11-27T10:27:27.097-05:00</updated><title type='text'>Review of Small, Gritty and Green</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/-cNa7VL4pEM8/ToSdR1mPrrI/AAAAAAAABgM/1E-r0ibMcGE/s1600/SmallGrittyGreen.jpg"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-cNa7VL4pEM8/ToSdR1mPrrI/AAAAAAAABgM/1E-r0ibMcGE/s400/SmallGrittyGreen.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.archpaper.com/news/articles.asp?id=5657"&gt;Review&amp;gt; Industrial Strength: Small, Gritty, and Green: The Promise of America's Smaller Industrial Cities in a Low-Carbon World by Catherine Tumber&lt;/a&gt;. &lt;i&gt;The Architects' Newspaper&lt;/i&gt;, Sep. 19, 2011.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6729296230050688175-2825108601876057579?l=www.stephenzacks.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6729296230050688175/posts/default/2825108601876057579'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6729296230050688175/posts/default/2825108601876057579'/><link rel='alternate' type='text/html' href='http://www.stephenzacks.com/2011/09/review-of-small-gritty-and-green.html' title='Review of Small, Gritty and Green'/><author><name>Stephen Zacks</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://4.bp.blogspot.com/_Wpd9LA9RsGc/TUSeSfn00hI/AAAAAAAAAqY/T3UVLpfYQXQ/s220/profile%2Bpic%2Bbronx.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-cNa7VL4pEM8/ToSdR1mPrrI/AAAAAAAABgM/1E-r0ibMcGE/s72-c/SmallGrittyGreen.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-6729296230050688175.post-5187303653400664787</id><published>2011-09-11T20:41:00.001-04:00</published><updated>2011-09-11T20:45:38.050-04:00</updated><title type='text'>Nam June Paik Library by Nahyun Hwang and David Moon</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/-fB-hiPoD0xw/Tm1Ua6quEaI/AAAAAAAABWA/zHyND61OJTQ/s1600/nhdm_njpl_1_500.jpg"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-fB-hiPoD0xw/Tm1Ua6quEaI/AAAAAAAABWA/zHyND61OJTQ/s400/nhdm_njpl_1_500.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.metropolismag.com/story/20110909/a-moving-archive"&gt;A Moving Archive: True to the work of the pioneering Korean artist, the Nam June Paik Library turns research into a performance&lt;/a&gt;. &lt;i&gt;Metropolis&lt;/i&gt;, September, 2011.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6729296230050688175-5187303653400664787?l=www.stephenzacks.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6729296230050688175/posts/default/5187303653400664787'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6729296230050688175/posts/default/5187303653400664787'/><link rel='alternate' type='text/html' href='http://www.stephenzacks.com/2011/09/nam-june-paik-library-by-nahyun-hwang.html' title='Nam June Paik Library by Nahyun Hwang and David Moon'/><author><name>Stephen Zacks</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://4.bp.blogspot.com/_Wpd9LA9RsGc/TUSeSfn00hI/AAAAAAAAAqY/T3UVLpfYQXQ/s220/profile%2Bpic%2Bbronx.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-fB-hiPoD0xw/Tm1Ua6quEaI/AAAAAAAABWA/zHyND61OJTQ/s72-c/nhdm_njpl_1_500.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-6729296230050688175.post-1194262769739572159</id><published>2011-06-19T14:17:00.004-04:00</published><updated>2011-11-27T10:24:52.235-05:00</updated><title type='text'>Mexicantown Bridge, Detroit</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/-BOohmy5asvo/Tf48wgEh7xI/AAAAAAAAA7U/HMoHspxMB5w/s1600/detroit_ped_bridge_04.jpg"&gt;&lt;img border="0" height="267" src="http://4.bp.blogspot.com/-BOohmy5asvo/Tf48wgEh7xI/AAAAAAAAA7U/HMoHspxMB5w/s400/detroit_ped_bridge_04.jpg" width="400" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://archpaper.com/news/articles.asp?id=5461"&gt;Motor City Freeway Span&lt;/a&gt;: New bridge and park reunite Detroit's Mexicantown neighborhood. The Architect's Newspaper, Jun. 16, 2011.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6729296230050688175-1194262769739572159?l=www.stephenzacks.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6729296230050688175/posts/default/1194262769739572159'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6729296230050688175/posts/default/1194262769739572159'/><link rel='alternate' type='text/html' href='http://www.stephenzacks.com/2011/06/mexicantown-bridge-detroit.html' title='Mexicantown Bridge, Detroit'/><author><name>Stephen Zacks</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://4.bp.blogspot.com/_Wpd9LA9RsGc/TUSeSfn00hI/AAAAAAAAAqY/T3UVLpfYQXQ/s220/profile%2Bpic%2Bbronx.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-BOohmy5asvo/Tf48wgEh7xI/AAAAAAAAA7U/HMoHspxMB5w/s72-c/detroit_ped_bridge_04.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-6729296230050688175.post-6579746069074291390</id><published>2011-06-13T00:19:00.005-04:00</published><updated>2011-06-19T03:55:40.761-04:00</updated><title type='text'>Graham Foundation Award: A Beautiful Ruin: The Rebirth of New York City, 1975-1986</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-bTCIJQY7zHU/TfWOsfp_bMI/AAAAAAAAA6s/ZX4jy6M1lhg/s1600/Sail2.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="208" src="http://3.bp.blogspot.com/-bTCIJQY7zHU/TfWOsfp_bMI/AAAAAAAAA6s/ZX4jy6M1lhg/s320/Sail2.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.grahamfoundation.org/grantees/3976-a-beautiful-ruin-the-rebirth-of-new-york-city-1975-1986"&gt;A Beautiful Ruin: The Rebirth of New York City, 1975-1986&lt;/a&gt;, Graham Foundation for Advanced Studies in Fine Arts, production grant, 2011. &lt;br /&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/-zIRSSGZdtFE/Tfuh4y_9NaI/AAAAAAAAA7A/LA705NkC2_0/s1600/nysca_logo.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-zIRSSGZdtFE/Tfuh4y_9NaI/AAAAAAAAA7A/LA705NkC2_0/s1600/nysca_logo.jpg" /&gt;&lt;/a&gt;This project has been supported by the New York Council on the Arts.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6729296230050688175-6579746069074291390?l=www.stephenzacks.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6729296230050688175/posts/default/6579746069074291390'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6729296230050688175/posts/default/6579746069074291390'/><link rel='alternate' type='text/html' href='http://www.stephenzacks.com/2011/06/graham-foundation-award-beautiful-ruin.html' title='Graham Foundation Award: A Beautiful Ruin: The Rebirth of New York City, 1975-1986'/><author><name>Stephen Zacks</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://4.bp.blogspot.com/_Wpd9LA9RsGc/TUSeSfn00hI/AAAAAAAAAqY/T3UVLpfYQXQ/s220/profile%2Bpic%2Bbronx.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-bTCIJQY7zHU/TfWOsfp_bMI/AAAAAAAAA6s/ZX4jy6M1lhg/s72-c/Sail2.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-6729296230050688175.post-300463084835087675</id><published>2011-05-31T20:38:00.004-04:00</published><updated>2011-11-27T10:24:02.107-05:00</updated><title type='text'>Flint Spark? Competition seeks to reignite dead Rustbelt building.</title><content type='html'>&lt;img border="0" src="http://1.bp.blogspot.com/-Wsjw_VBaxTw/TeWJjlymI3I/AAAAAAAAA24/mSiEDdsyO9A/s400/flint_tower_02.jpg" /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/-Wsjw_VBaxTw/TeWJjlymI3I/AAAAAAAAA24/mSiEDdsyO9A/s1600/flint_tower_02.jpg"&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://archpaper.com/news/articles.asp?id=5402"&gt;Flint Spark? Competition seeks to reignite dead Rustbelt building&lt;/a&gt;. The Architect's Newspaper, May 31, 2011.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6729296230050688175-300463084835087675?l=www.stephenzacks.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6729296230050688175/posts/default/300463084835087675'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6729296230050688175/posts/default/300463084835087675'/><link rel='alternate' type='text/html' href='http://www.stephenzacks.com/2011/05/flint-spark-competition-seeks-to.html' title='Flint Spark? Competition seeks to reignite dead Rustbelt building.'/><author><name>Stephen Zacks</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://4.bp.blogspot.com/_Wpd9LA9RsGc/TUSeSfn00hI/AAAAAAAAAqY/T3UVLpfYQXQ/s220/profile%2Bpic%2Bbronx.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-Wsjw_VBaxTw/TeWJjlymI3I/AAAAAAAAA24/mSiEDdsyO9A/s72-c/flint_tower_02.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-6729296230050688175.post-4721967512867646314</id><published>2011-05-20T00:17:00.001-04:00</published><updated>2011-05-20T06:06:52.129-04:00</updated><title type='text'>Détournement, or the Misguided Oppositional Ideology of the College-Educated Urban Elite</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-4F62atpQuwE/TdXrN8gIAgI/AAAAAAAAA0g/A9P74guv7cw/s1600/1_tarpcover.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="225" src="http://3.bp.blogspot.com/-4F62atpQuwE/TdXrN8gIAgI/AAAAAAAAA0g/A9P74guv7cw/s400/1_tarpcover.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;a href="http://mysite.pratt.edu/%7Ejwilli20/tarp/tarp_Zacks.pdf"&gt;Détournement, or the Misguided Oppositional Ideology of the College-Educated Urban Elite&lt;/a&gt;. &lt;a href="http://tcholliday.com/"&gt;TARP Architecture Manual&lt;/a&gt;, Pratt Institute School of Architecture, Spring, 2011.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6729296230050688175-4721967512867646314?l=www.stephenzacks.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6729296230050688175/posts/default/4721967512867646314'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6729296230050688175/posts/default/4721967512867646314'/><link rel='alternate' type='text/html' href='http://www.stephenzacks.com/2011/05/detournement-or-misguided-oppositional.html' title='Détournement, or the Misguided Oppositional Ideology of the College-Educated Urban Elite'/><author><name>Stephen Zacks</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://4.bp.blogspot.com/_Wpd9LA9RsGc/TUSeSfn00hI/AAAAAAAAAqY/T3UVLpfYQXQ/s220/profile%2Bpic%2Bbronx.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-4F62atpQuwE/TdXrN8gIAgI/AAAAAAAAA0g/A9P74guv7cw/s72-c/1_tarpcover.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-6729296230050688175.post-5121490618490500081</id><published>2011-05-20T00:14:00.002-04:00</published><updated>2011-05-20T08:34:23.255-04:00</updated><title type='text'>Pecha Kucha New York #11: The Dimensions of the New City</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-ARE2LJPqzE8/TdXqCFctDhI/AAAAAAAAA0c/O4HCGA1WM58/s1600/PKNY.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="191" src="http://1.bp.blogspot.com/-ARE2LJPqzE8/TdXqCFctDhI/AAAAAAAAA0c/O4HCGA1WM58/s400/PKNY.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;The Flint Ecological Urbanism Project, &lt;a href="http://www.pecha-kucha.org/night/new-york/newsletters/2089"&gt;Pecha Kucha New York #11: The Dimensions of the New City&lt;/a&gt;, public presentation, May 7, 2011.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6729296230050688175-5121490618490500081?l=www.stephenzacks.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6729296230050688175/posts/default/5121490618490500081'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6729296230050688175/posts/default/5121490618490500081'/><link rel='alternate' type='text/html' href='http://www.stephenzacks.com/2011/05/pecha-kucha-new-york-11-dimensions-of.html' title='Pecha Kucha New York #11: The Dimensions of the New City'/><author><name>Stephen Zacks</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://4.bp.blogspot.com/_Wpd9LA9RsGc/TUSeSfn00hI/AAAAAAAAAqY/T3UVLpfYQXQ/s220/profile%2Bpic%2Bbronx.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-ARE2LJPqzE8/TdXqCFctDhI/AAAAAAAAA0c/O4HCGA1WM58/s72-c/PKNY.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-6729296230050688175.post-4871443852173187403</id><published>2011-02-04T12:22:00.002-05:00</published><updated>2011-11-28T11:05:47.037-05:00</updated><title type='text'>Five Mayors' Plans for Economic Recovery, Identity, and Sustainability</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_Wpd9LA9RsGc/TTr9XL5cGbI/AAAAAAAAApU/mOBO4Pp-Crc/s1600/Mayors+Metropolis.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://3.bp.blogspot.com/_Wpd9LA9RsGc/TTr9XL5cGbI/AAAAAAAAApU/mOBO4Pp-Crc/s400/Mayors+Metropolis.jpg" width="250" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.metropolismag.com/story/20110117/government-leadership-council"&gt;Government: Leadership Council: Five leading mayors talk about the challenges they face, the strengths of their cities, and their visions for the future.&lt;/a&gt;&amp;nbsp;Metropolis, Jan., 2011.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6729296230050688175-4871443852173187403?l=www.stephenzacks.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6729296230050688175/posts/default/4871443852173187403'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6729296230050688175/posts/default/4871443852173187403'/><link rel='alternate' type='text/html' href='http://www.stephenzacks.com/2011/01/five-mayors-plans-for-economic-recovery.html' title='Five Mayors&apos; Plans for Economic Recovery, Identity, and Sustainability'/><author><name>Stephen Zacks</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://4.bp.blogspot.com/_Wpd9LA9RsGc/TUSeSfn00hI/AAAAAAAAAqY/T3UVLpfYQXQ/s220/profile%2Bpic%2Bbronx.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_Wpd9LA9RsGc/TTr9XL5cGbI/AAAAAAAAApU/mOBO4Pp-Crc/s72-c/Mayors+Metropolis.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-6729296230050688175.post-6087226482460295036</id><published>2010-11-17T05:19:00.005-05:00</published><updated>2011-02-04T12:20:10.641-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Olin Partnership'/><category scheme='http://www.blogger.com/atom/ns#' term='Pentagram'/><category scheme='http://www.blogger.com/atom/ns#' term='Mark Robbins'/><category scheme='http://www.blogger.com/atom/ns#' term='Toshiko Mori'/><category scheme='http://www.blogger.com/atom/ns#' term='Richard Gluckman'/><category scheme='http://www.blogger.com/atom/ns#' term='Julia Czerniak'/><title type='text'>Toshiko Mori, Mark Robbins, Richard Gluckman, Olin Partnership, Pentagram and others in Syracuse, NY</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_Wpd9LA9RsGc/TOOrTNQ9XPI/AAAAAAAAAnM/9PRf0-IEDYM/s1600/urban1_111710.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="266" src="http://2.bp.blogspot.com/_Wpd9LA9RsGc/TOOrTNQ9XPI/AAAAAAAAAnM/9PRf0-IEDYM/s400/urban1_111710.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.metropolismag.com/story/20101117/urban-intervention"&gt;Urban Intervention: The Syracuse Center of Excellence helps lay the foundation for the revitalization of a struggling Rust Belt city&lt;/a&gt;. &lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;Metropolis&lt;/i&gt;, November 2010.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6729296230050688175-6087226482460295036?l=www.stephenzacks.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6729296230050688175/posts/default/6087226482460295036'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6729296230050688175/posts/default/6087226482460295036'/><link rel='alternate' type='text/html' href='http://www.stephenzacks.com/2010/11/toshiko-mori-mark-robbins-richard.html' title='Toshiko Mori, Mark Robbins, Richard Gluckman, Olin Partnership, Pentagram and others in Syracuse, NY'/><author><name>Stephen Zacks</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://4.bp.blogspot.com/_Wpd9LA9RsGc/TUSeSfn00hI/AAAAAAAAAqY/T3UVLpfYQXQ/s220/profile%2Bpic%2Bbronx.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_Wpd9LA9RsGc/TOOrTNQ9XPI/AAAAAAAAAnM/9PRf0-IEDYM/s72-c/urban1_111710.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-6729296230050688175.post-8716293155712065499</id><published>2010-07-08T09:50:00.005-04:00</published><updated>2011-01-30T20:06:29.147-05:00</updated><title type='text'>Eminent Domain and the Columbia University Expansion</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_Wpd9LA9RsGc/TDXWyqFG5eI/AAAAAAAAAi8/ucWo4La2qcY/s1600/Manhattanville.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="160" src="http://4.bp.blogspot.com/_Wpd9LA9RsGc/TDXWyqFG5eI/AAAAAAAAAi8/ucWo4La2qcY/s400/Manhattanville.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://archrecord.construction.com/news/daily/archives/2010/07/100706manhattanville.asp"&gt;I'll Take Manhattanville: Many states have clamped down on eminent domain. Recent court cases signal that New York won't be following their lead.&lt;/a&gt; &lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;Architectural Record&lt;/i&gt;, August, 2010.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6729296230050688175-8716293155712065499?l=www.stephenzacks.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6729296230050688175/posts/default/8716293155712065499'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6729296230050688175/posts/default/8716293155712065499'/><link rel='alternate' type='text/html' href='http://www.stephenzacks.com/2010/07/court-decisions-on-eminent-domain-and.html' title='Eminent Domain and the Columbia University Expansion'/><author><name>Stephen Zacks</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://4.bp.blogspot.com/_Wpd9LA9RsGc/TUSeSfn00hI/AAAAAAAAAqY/T3UVLpfYQXQ/s220/profile%2Bpic%2Bbronx.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_Wpd9LA9RsGc/TDXWyqFG5eI/AAAAAAAAAi8/ucWo4La2qcY/s72-c/Manhattanville.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-6729296230050688175.post-930844422244179427</id><published>2010-06-28T08:12:00.002-04:00</published><updated>2011-01-30T20:05:30.559-05:00</updated><title type='text'>James Corner, Roberta Brandes Gratz, and Dan Burden</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_Wpd9LA9RsGc/TCiRpBKGqEI/AAAAAAAAAi0/wSyDD8ak7nE/s1600/PICT0180.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="300" src="http://1.bp.blogspot.com/_Wpd9LA9RsGc/TCiRpBKGqEI/AAAAAAAAAi0/wSyDD8ak7nE/s400/PICT0180.JPG" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.monocle.com/sections/design/Magazine-Articles/Rebuilding-America---USA/"&gt;"The Conservationist," "The Parkitect," "The Pedestrian."&lt;/a&gt;&lt;br /&gt;&lt;i&gt;Monocle&lt;/i&gt;, July/ August 2010.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6729296230050688175-930844422244179427?l=www.stephenzacks.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6729296230050688175/posts/default/930844422244179427'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6729296230050688175/posts/default/930844422244179427'/><link rel='alternate' type='text/html' href='http://www.stephenzacks.com/2010/06/short-profiles-of-james-corner-roberta.html' title='James Corner, Roberta Brandes Gratz, and Dan Burden'/><author><name>Stephen Zacks</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://4.bp.blogspot.com/_Wpd9LA9RsGc/TUSeSfn00hI/AAAAAAAAAqY/T3UVLpfYQXQ/s220/profile%2Bpic%2Bbronx.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_Wpd9LA9RsGc/TCiRpBKGqEI/AAAAAAAAAi0/wSyDD8ak7nE/s72-c/PICT0180.JPG' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-6729296230050688175.post-1082367363805350296</id><published>2010-05-21T11:35:00.004-04:00</published><updated>2011-01-30T20:07:27.425-05:00</updated><title type='text'>Studio Gang's Media Production Center for Columbia College</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_Wpd9LA9RsGc/S_anzrgoEYI/AAAAAAAAAf8/geiwyNl9HFM/s1600/PICT0011.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="300" src="http://3.bp.blogspot.com/_Wpd9LA9RsGc/S_anzrgoEYI/AAAAAAAAAf8/geiwyNl9HFM/s400/PICT0011.JPG" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.blueprintmagazine.co.uk/index.php/architecture/cinematic-architecture/"&gt;Cinematic Architecture: Media Production Center, Studio Gang&lt;/a&gt;. &lt;i&gt;Blueprint, &lt;/i&gt;June, 2010&lt;i&gt;.&lt;/i&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6729296230050688175-1082367363805350296?l=www.stephenzacks.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6729296230050688175/posts/default/1082367363805350296'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6729296230050688175/posts/default/1082367363805350296'/><link rel='alternate' type='text/html' href='http://www.stephenzacks.com/2010/05/review-of-studio-gangs-media-production.html' title='Studio Gang&apos;s Media Production Center for Columbia College'/><author><name>Stephen Zacks</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://4.bp.blogspot.com/_Wpd9LA9RsGc/TUSeSfn00hI/AAAAAAAAAqY/T3UVLpfYQXQ/s220/profile%2Bpic%2Bbronx.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_Wpd9LA9RsGc/S_anzrgoEYI/AAAAAAAAAf8/geiwyNl9HFM/s72-c/PICT0011.JPG' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-6729296230050688175.post-59310849341539999</id><published>2010-02-01T14:25:00.012-05:00</published><updated>2011-04-01T07:09:19.704-04:00</updated><title type='text'>New York State Council on the Arts Grant</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_Wpd9LA9RsGc/S2cqbysJjmI/AAAAAAAAAVA/cxu1GCDTf_o/s1600-h/crash+fashion+ny.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_Wpd9LA9RsGc/S2cqbysJjmI/AAAAAAAAAVA/cxu1GCDTf_o/s320/crash+fashion+ny.png" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: right;"&gt;&lt;br /&gt;&lt;span style="font-size: xx-small;"&gt;PHOTO Michael Transue&lt;/span&gt;&lt;/div&gt;The New York State Council on the Arts has awarded me a grant for my narrative history of urbanism in New York during a pivotal moment in the late 70s and early 80s when art and architecture were about to transform the city into a global superstar.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6729296230050688175-59310849341539999?l=www.stephenzacks.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6729296230050688175/posts/default/59310849341539999'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6729296230050688175/posts/default/59310849341539999'/><link rel='alternate' type='text/html' href='http://www.stephenzacks.com/2010/02/latest-news.html' title='New York State Council on the Arts Grant'/><author><name>Stephen Zacks</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://4.bp.blogspot.com/_Wpd9LA9RsGc/TUSeSfn00hI/AAAAAAAAAqY/T3UVLpfYQXQ/s220/profile%2Bpic%2Bbronx.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_Wpd9LA9RsGc/S2cqbysJjmI/AAAAAAAAAVA/cxu1GCDTf_o/s72-c/crash+fashion+ny.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-6729296230050688175.post-8113618343263717686</id><published>2009-11-05T14:39:00.021-05:00</published><updated>2010-11-21T08:49:11.797-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Stephen Zacks'/><category scheme='http://www.blogger.com/atom/ns#' term='urban design'/><category scheme='http://www.blogger.com/atom/ns#' term='planning'/><category scheme='http://www.blogger.com/atom/ns#' term='design'/><category scheme='http://www.blogger.com/atom/ns#' term='film'/><category scheme='http://www.blogger.com/atom/ns#' term='Nicosia'/><category scheme='http://www.blogger.com/atom/ns#' term='sustainable design'/><category scheme='http://www.blogger.com/atom/ns#' term='New York City'/><category scheme='http://www.blogger.com/atom/ns#' term='art'/><category scheme='http://www.blogger.com/atom/ns#' term='Beirut'/><category scheme='http://www.blogger.com/atom/ns#' term='urbanism'/><category scheme='http://www.blogger.com/atom/ns#' term='Michigan'/><category scheme='http://www.blogger.com/atom/ns#' term='criticism'/><category scheme='http://www.blogger.com/atom/ns#' term='Detroit'/><category scheme='http://www.blogger.com/atom/ns#' term='architecture'/><category scheme='http://www.blogger.com/atom/ns#' term='landscape architecture'/><category scheme='http://www.blogger.com/atom/ns#' term='Dubai'/><category scheme='http://www.blogger.com/atom/ns#' term='Omaha'/><title type='text'>2009</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_Wpd9LA9RsGc/SwmS8olBXXI/AAAAAAAAAU0/j_T1LAyT1s4/s1600/article_large_image_sparklife.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/_Wpd9LA9RsGc/SwmS8olBXXI/AAAAAAAAAU0/j_T1LAyT1s4/s320/article_large_image_sparklife.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.monocle.com/sections/design/Magazine-Articles/Spark-life/"&gt;Design  Report: Spark Life&lt;/a&gt;. (subscription only)&lt;br /&gt;Monocle, Dec. 2009.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_Wpd9LA9RsGc/SvLIcckgoTI/AAAAAAAAAUc/j-JefKc9NtI/s1600-h/leme_ss.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_Wpd9LA9RsGc/SvLIcckgoTI/AAAAAAAAAUc/j-JefKc9NtI/s320/leme_ss.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.monocle.com/small-business/4/"&gt;Galeria Leme: Contemporary Art Dealer, São Paulo.&lt;/a&gt; &lt;br /&gt;Monocle, Nov. 2009.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_Wpd9LA9RsGc/Su8i1qzSq9I/AAAAAAAAAT8/qb_75vLAr5Y/s1600-h/System+Strobel.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_Wpd9LA9RsGc/Su8i1qzSq9I/AAAAAAAAAT8/qb_75vLAr5Y/s320/System+Strobel.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.exemplaryenvironments.com/volumeI_issue3/LApolice.pdf"&gt;Emergency Services: Radio Star and Home Stretch.&lt;/a&gt; (PDF)&lt;br /&gt;Monocle, Oct. 2009. &lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_Wpd9LA9RsGc/SutQNJhxZlI/AAAAAAAAABk/jcl4Qwe-Lsk/s1600-h/article_large_ny400.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5398496765159761490" src="http://3.bp.blogspot.com/_Wpd9LA9RsGc/SutQNJhxZlI/AAAAAAAAABk/jcl4Qwe-Lsk/s320/article_large_ny400.jpg" style="float: left; height: 198px; margin: 0pt 10px 10px 0pt; width: 320px;" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.monocle.com/sections/culture/Magazine-Articles/NY400-New-York/"&gt;NY400: Dutch New York.&lt;/a&gt; (subscription only)&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;Monocle, Sep. 2009.&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: right;"&gt;&lt;a href="http://4.bp.blogspot.com/_Wpd9LA9RsGc/Su34KOU8i4I/AAAAAAAAARE/GXwM-mNm82Y/s1600-h/McNally+Jackson2.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_Wpd9LA9RsGc/Su34KOU8i4I/AAAAAAAAARE/GXwM-mNm82Y/s320/McNally+Jackson2.jpg" /&gt;&lt;/a&gt;&lt;span style="font-size: xx-small;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: right;"&gt;&lt;span style="font-size: xx-small;"&gt;PHOTO &lt;a href="http://www.darrenhallphoto.com/"&gt;Darren Hall&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;a href="http://www.monocle.com/sections/edits/Magazine-Articles/Shop-idols/"&gt;Shop Idols: McNally Jackson Books.&lt;/a&gt; (subscription only)&lt;/div&gt;Monocle, Jul./Aug. 2009.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_Wpd9LA9RsGc/Su36FLgWQtI/AAAAAAAAARs/Jw-oXlLSHS0/s1600-h/Blake+Kurasek+Base-Chicago-COPYRIGHT2009.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_Wpd9LA9RsGc/Su36FLgWQtI/AAAAAAAAARs/Jw-oXlLSHS0/s320/Blake+Kurasek+Base-Chicago-COPYRIGHT2009.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.monocle.com/sections/affairs/Magazine-Articles/Talk-of-the-town/"&gt;Dickson Despommier: Vertical Farms.&lt;/a&gt; (subscription only)&lt;br /&gt;Monocle, Jul./Aug. 2009.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_Wpd9LA9RsGc/Su8hahyhQSI/AAAAAAAAATs/aymWvFrv2wQ/s1600-h/Shrinking+Cities.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_Wpd9LA9RsGc/Su8hahyhQSI/AAAAAAAAATs/aymWvFrv2wQ/s320/Shrinking+Cities.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.monocle.com/sections/affairs/Magazine-Articles/Talk-of-the-town/"&gt;Terry Schwarz: Shrinking Cities.&lt;/a&gt; (subscription only)&lt;br /&gt;Monocle, Jul./Aug. 2009.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_Wpd9LA9RsGc/SuxmheqTLsI/AAAAAAAAALs/zzCLz8vBXrQ/s1600-h/Rooftop.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/_Wpd9LA9RsGc/SuxmheqTLsI/AAAAAAAAALs/zzCLz8vBXrQ/s320/Rooftop.JPG" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.monocle.com/sections/design/Magazine-Articles/Air-time/"&gt;High balls: Tokyo rooftop football.&lt;/a&gt; (subscription only)&lt;br /&gt;Monocle, Jul./Aug. 2009.&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_Wpd9LA9RsGc/SutSSOJkOpI/AAAAAAAAAB0/jHeT1pUW2U8/s1600-h/Cornell.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5398499051323013778" src="http://2.bp.blogspot.com/_Wpd9LA9RsGc/SutSSOJkOpI/AAAAAAAAAB0/jHeT1pUW2U8/s320/Cornell.jpg" style="cursor: pointer; float: left; height: 256px; margin: 0pt 10px 10px 0pt; width: 320px;" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://archrecord.construction.com/news/daily/archives/090618cornell.asp"&gt;At Cornell University, Groundbreaking Could Mark the End of a 12-Year Saga. &lt;/a&gt;&lt;br /&gt;Architectural Record, Jul. 2009.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_Wpd9LA9RsGc/Suxmqvu76GI/AAAAAAAAAL0/AsV5W-41hz0/s1600-h/Michael+Moses.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_Wpd9LA9RsGc/Suxmqvu76GI/AAAAAAAAAL0/AsV5W-41hz0/s320/Michael+Moses.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.monocle.com/sections/culture/Magazine-Articles/QA---Michael-Moses/"&gt;Q &amp;amp; A: Michael Moses: Art as a financial asset.&lt;/a&gt; (subscription only)&lt;br /&gt;Monocle, Jun. 2009.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_Wpd9LA9RsGc/SuupF_pZqQI/AAAAAAAAAG0/LnxY5J8sA5Q/s1600-h/240+Central+Park+South.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_Wpd9LA9RsGc/SuupF_pZqQI/AAAAAAAAAG0/LnxY5J8sA5Q/s320/240+Central+Park+South.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.blogger.com/goog_1256972740778"&gt; &lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://archrecord.construction.com/tech/preservation/central_park_south/default.asp"&gt;Portfolio: 240 Central Park South.&lt;/a&gt;&lt;br /&gt;Architectural Record, Jun. 2009.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_Wpd9LA9RsGc/Su8b_kpy8ZI/AAAAAAAAATU/ZTSDixXXvFg/s1600-h/BHEveryday_lrg.gif" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_Wpd9LA9RsGc/Su8b_kpy8ZI/AAAAAAAAATU/ZTSDixXXvFg/s320/BHEveryday_lrg.gif" /&gt;&lt;/a&gt;&amp;nbsp; &lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://printmag.coverleaf.com/printmag/200906/?pg=96"&gt;The Wayfinding Handbook: Information Design for Public Places, by David Gibson.&lt;/a&gt;&lt;br /&gt;Print, Jun. 2009.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_Wpd9LA9RsGc/SuxqCYQa_KI/AAAAAAAAAME/tByyHC8sZ4U/s1600-h/SM_Favretto%2BGirardi_SWVF_2.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_Wpd9LA9RsGc/SuxqCYQa_KI/AAAAAAAAAME/tByyHC8sZ4U/s320/SM_Favretto%2BGirardi_SWVF_2.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Three-Dimensional Dreams: The architectural fantasies of the boom era were a good thing.&lt;br /&gt;&lt;a href="http://www.woundmedia.com/"&gt;Wound&lt;/a&gt;, Summer 2009.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_Wpd9LA9RsGc/Su3xjJFFtWI/AAAAAAAAAQk/YwNKyO3wMJ0/s1600-h/CranbrookPaintingPosterElliottEarls600.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_Wpd9LA9RsGc/Su3xjJFFtWI/AAAAAAAAAQk/YwNKyO3wMJ0/s320/CranbrookPaintingPosterElliottEarls600.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.theapolloprogram.com/Images/earlsgonewild.jpg"&gt;Earls Gone Wild.&lt;/a&gt;&lt;br /&gt;Print, Apr. 2009.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_Wpd9LA9RsGc/Su32VxE7ogI/AAAAAAAAAQ8/N3OyEK3x1A4/s1600-h/PICT0001.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_Wpd9LA9RsGc/Su32VxE7ogI/AAAAAAAAAQ8/N3OyEK3x1A4/s320/PICT0001.JPG" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: right;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: xx-small;"&gt;PHOTO &lt;a href="http://stephenzacks.blogspot.com/"&gt;Stephen Zacks&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&amp;nbsp;&lt;a href="http://edificial.com/2009/03/oh-thats-rich-damon-rich.php"&gt;Oh, That’s Rich. Damon Rich. &lt;/a&gt;&lt;/div&gt;&lt;/div&gt;Edificial.com, Mar. 26, 2009.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_Wpd9LA9RsGc/SuuqJaOPeEI/AAAAAAAAAG8/mu6J0aoRyu8/s1600-h/Magda+Biernat.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_Wpd9LA9RsGc/SuuqJaOPeEI/AAAAAAAAAG8/mu6J0aoRyu8/s320/Magda+Biernat.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: right;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: right;"&gt;&lt;br /&gt;&lt;span style="font-size: xx-small;"&gt;PHOTO &lt;a href="http://www.magdabiernat.com/"&gt;Magda Biernat&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;a href="http://edificial.com/2009/03/catchin-it-on-the-bounce.php"&gt;Catchin’ it on the Bounce. &lt;/a&gt;&lt;br /&gt;Edificial.com, Mar. 17, 2009.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_Wpd9LA9RsGc/Su8hpu-ZMLI/AAAAAAAAAT0/DpXNzY1Wca0/s1600-h/Mumford.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_Wpd9LA9RsGc/Su8hpu-ZMLI/AAAAAAAAAT0/DpXNzY1Wca0/s320/Mumford.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://edificial.com/2009/03/auster-on-mumford-auster.php"&gt;Auster on &lt;strike&gt;Mumford&lt;/strike&gt; Auster.&lt;/a&gt;&lt;br /&gt;Edificial.com, Mar. 13, 2009.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_Wpd9LA9RsGc/SuuT-jF0JqI/AAAAAAAAAFo/4d12F603Lbo/s1600-h/KAUFMAN+14+Wall,+31+Fl-thumb-570x412.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5398571281114474146" src="http://4.bp.blogspot.com/_Wpd9LA9RsGc/SuuT-jF0JqI/AAAAAAAAAFo/4d12F603Lbo/s320/KAUFMAN+14+Wall,+31+Fl-thumb-570x412.jpg" style="cursor: pointer; float: left; height: 231px; margin: 0pt 10px 10px 0pt; width: 320px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://edificial.com/2009/03/access-restricted-accessed.php"&gt;Access Restricted Accessed.&lt;/a&gt;&lt;br /&gt;Edificial.com, Mar. 13, 2009.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_Wpd9LA9RsGc/Su3ym8t8kvI/AAAAAAAAAQs/8lWbDUGmHhk/s1600-h/6+storefront_saliberti.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/_Wpd9LA9RsGc/Su3ym8t8kvI/AAAAAAAAAQs/8lWbDUGmHhk/s320/6+storefront_saliberti.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: right;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: xx-small;"&gt;PHOTO &lt;a href="http://vertiginouspervicaciousness.blogspot.com/"&gt;Sherry Aliberti&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;a href="http://edificial.com/cgi-bin/mt/mt-search.cgi?IncludeBlogs=18&amp;amp;tag=exyzt&amp;amp;limit=20"&gt;Exyzt-ential EventCity: Storefront Had a Party.&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;Edificial.com, Feb. 23, 2009.&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_Wpd9LA9RsGc/Suun6bnKqkI/AAAAAAAAAGs/XfR8v8837ms/s1600-h/mccarren+park+pool-thumb-570x305.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;/a&gt;&lt;a href="http://1.bp.blogspot.com/_Wpd9LA9RsGc/Suun6bnKqkI/AAAAAAAAAGs/XfR8v8837ms/s1600-h/mccarren+park+pool-thumb-570x305.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_Wpd9LA9RsGc/Suun6bnKqkI/AAAAAAAAAGs/XfR8v8837ms/s320/mccarren+park+pool-thumb-570x305.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://edificial.com/2009/02/marvel-ing-at-the-marvel-ous-m.php"&gt;Marvel-ing at the McCarren Park Pool.&lt;/a&gt;&lt;br /&gt;Edificial.com, Feb. 17, 2009.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_Wpd9LA9RsGc/Su3z8c6IdNI/AAAAAAAAAQ0/3zPz_ZrqA4M/s1600-h/IMG_0395.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_Wpd9LA9RsGc/Su3z8c6IdNI/AAAAAAAAAQ0/3zPz_ZrqA4M/s320/IMG_0395.JPG" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://edificial.com/cgi-bin/mt/mt-search.cgi?IncludeBlogs=18&amp;amp;tag=urban%20china&amp;amp;limit=20"&gt;Urban China in on the Joke. &lt;/a&gt;&lt;br /&gt;Edificial.com, Feb. 13, 2009.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6729296230050688175-8113618343263717686?l=www.stephenzacks.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6729296230050688175/posts/default/8113618343263717686'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6729296230050688175/posts/default/8113618343263717686'/><link rel='alternate' type='text/html' href='http://www.stephenzacks.com/2009/10/magazines-news-galeria-leme.html' title='2009'/><author><name>Stephen Zacks</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://4.bp.blogspot.com/_Wpd9LA9RsGc/TUSeSfn00hI/AAAAAAAAAqY/T3UVLpfYQXQ/s220/profile%2Bpic%2Bbronx.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_Wpd9LA9RsGc/SwmS8olBXXI/AAAAAAAAAU0/j_T1LAyT1s4/s72-c/article_large_image_sparklife.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-6729296230050688175.post-5397866982566952776</id><published>2009-11-05T09:45:00.015-05:00</published><updated>2010-02-10T08:45:33.330-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Shrinking Cities'/><category scheme='http://www.blogger.com/atom/ns#' term='affordable housing'/><category scheme='http://www.blogger.com/atom/ns#' term='Stephen Zacks'/><category scheme='http://www.blogger.com/atom/ns#' term='housing'/><category scheme='http://www.blogger.com/atom/ns#' term='public art'/><category scheme='http://www.blogger.com/atom/ns#' term='Michael Bell'/><category scheme='http://www.blogger.com/atom/ns#' term='political design'/><category scheme='http://www.blogger.com/atom/ns#' term='Lebanon'/><category scheme='http://www.blogger.com/atom/ns#' term='Behnisch'/><category scheme='http://www.blogger.com/atom/ns#' term='sustainable design'/><category scheme='http://www.blogger.com/atom/ns#' term='urban development'/><title type='text'>2008</title><content type='html'>&lt;div class="separator" style="background-color: white; clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_Wpd9LA9RsGc/Su25tDRmGwI/AAAAAAAAAMc/QdCtJjOZ83k/s1600-h/Ozeaneum-04.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_Wpd9LA9RsGc/Su25tDRmGwI/AAAAAAAAAMc/QdCtJjOZ83k/s320/Ozeaneum-04.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.metropolismag.com/story/20081217/form-follows-performance"&gt;Form Follows Performance: The German architect Stefan Behnisch pushes architectural form into new energy-efficient directions.&lt;/a&gt;&lt;br /&gt;Metropolis, Dec. 2008.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_Wpd9LA9RsGc/Su26DCoH9yI/AAAAAAAAAMk/zKJdXP7IhYg/s1600-h/Holl+05_02_13_05b.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/_Wpd9LA9RsGc/Su26DCoH9yI/AAAAAAAAAMk/zKJdXP7IhYg/s320/Holl+05_02_13_05b.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.metropolismag.com/story/20081119/the-painted-building"&gt;The Painted Building: For three decades Steven Holl has used watercolors—drawn each morning, before the deadlines kick in—as a springboard toward the creation of architecture. &lt;/a&gt;&lt;br /&gt;Metropolis, Nov. 2008.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_Wpd9LA9RsGc/Su8Y2zu-y0I/AAAAAAAAATM/QbD1Ppei8l0/s1600-h/17Dessau_modelshrinking.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/_Wpd9LA9RsGc/Su8Y2zu-y0I/AAAAAAAAATM/QbD1Ppei8l0/s320/17Dessau_modelshrinking.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.metropolismag.com/story/20081119/thinking-about-shrinkage"&gt;Thinking about Shrinkage: Dessau is one of several German cities testing creative solutions for urban depopulation.&lt;/a&gt;&lt;br /&gt;Metropolis, Nov. 2008.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_Wpd9LA9RsGc/Sutc-0SseuI/AAAAAAAAACs/0RYptoKk7yE/s1600-h/GBSunriseEastWaterTower.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5398510812592372450" src="http://1.bp.blogspot.com/_Wpd9LA9RsGc/Sutc-0SseuI/AAAAAAAAACs/0RYptoKk7yE/s320/GBSunriseEastWaterTower.jpg" style="cursor: pointer; float: left; height: 214px; margin: 0pt 10px 10px 0pt; width: 320px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.metropolismag.com/cda/mag_subsection.php?secid=5&amp;amp;subsecid=62"&gt;Whirlwind Tour: Kansas architecture students haul a prefab arts center across the state to a tornado-ravaged town.&lt;/a&gt;&lt;br /&gt;Metropolis, Nov. 2008.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_Wpd9LA9RsGc/Su75jongmlI/AAAAAAAAAS0/iNUPN5UuM34/s1600-h/Nouvel.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/_Wpd9LA9RsGc/Su75jongmlI/AAAAAAAAAS0/iNUPN5UuM34/s320/Nouvel.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;New York Condos.&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;a href="http://www.oris.hr/?ln=en"&gt;Oris&lt;/a&gt;, 52, 2008.&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://1.bp.blogspot.com/_Wpd9LA9RsGc/Su2646Oq3vI/AAAAAAAAAMs/Sga3QqO_O_Q/s1600-h/fry1.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_Wpd9LA9RsGc/Su2646Oq3vI/AAAAAAAAAMs/Sga3QqO_O_Q/s320/fry1.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.metropolismag.com/story/20081015/the-good-life"&gt;The Good Life? A survey of leisure activities in New York leaves a lot to be desired—in particular, something to drink.&lt;/a&gt; &lt;br /&gt;Metropolis, Oct. 2008.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_Wpd9LA9RsGc/Su27BV_ylrI/AAAAAAAAAM0/01UXWX27sKU/s1600-h/Scherm_1-flat.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/_Wpd9LA9RsGc/Su27BV_ylrI/AAAAAAAAAM0/01UXWX27sKU/s320/Scherm_1-flat.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.metropolismag.com/story/20081015/the-affordable-housing-complex"&gt;The Affordable Housing Complex: In New York City, a new model has emerged: privately developed mixed-income projects by prominent architects that reach back into the sky.&lt;/a&gt;&lt;br /&gt;Metropolis, Oct. 2008.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_Wpd9LA9RsGc/SuxjaC6VPnI/AAAAAAAAAK8/0jThUJ15WxE/s1600-h/gandiablasco.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_Wpd9LA9RsGc/SuxjaC6VPnI/AAAAAAAAAK8/0jThUJ15WxE/s320/gandiablasco.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.metropolismag.com/story/20080917/design-after-franco"&gt;Design After Franco: Delayed by decades of civil war and dictatorship, contemporary Spanish design is now a force to be reckoned with in the international furniture-and-lighting scene. &lt;/a&gt;&lt;br /&gt;Metropolis, Sep. 2008.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_Wpd9LA9RsGc/SutcfXaPpGI/AAAAAAAAACk/CiVjgk92YuQ/s1600-h/sarkis.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5398510272263464034" src="http://2.bp.blogspot.com/_Wpd9LA9RsGc/SutcfXaPpGI/AAAAAAAAACk/CiVjgk92YuQ/s320/sarkis.jpg" style="cursor: pointer; float: left; height: 244px; margin: 0pt 10px 10px 0pt; width: 320px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.metropolismag.com/story/20080917/in-from-the-sea"&gt;In from the Sea: Traditional fishermen in Lebanon land a custom-designed community.&lt;/a&gt;&lt;br /&gt;Metropolis, Sep. 2008.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_Wpd9LA9RsGc/Su3VbtfrYuI/AAAAAAAAANc/m9pnoUAx-_U/s1600-h/chicken-coop-sequence-03_2.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_Wpd9LA9RsGc/Su3VbtfrYuI/AAAAAAAAANc/m9pnoUAx-_U/s320/chicken-coop-sequence-03_2.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.metropolismag.com/story/20080917/experimenting-with-disaster"&gt;Experimenting with Disaster: In a battered New Orleans, the CityBuild consortium creates a process for community-based projects. &lt;/a&gt;&lt;br /&gt;Metropolis, Sep. 2008.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_Wpd9LA9RsGc/SuvEFuwI7QI/AAAAAAAAAHU/W16kGkNFanY/s1600-h/switchback-perfomance-2.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_Wpd9LA9RsGc/SuvEFuwI7QI/AAAAAAAAAHU/W16kGkNFanY/s320/switchback-perfomance-2.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="font-size: xx-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: xx-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: xx-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: xx-small;"&gt; &lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: right;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-size: xx-small;"&gt;PHOTO &lt;a href="http://todseelie.com/"&gt;Tod Seelie&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;a href="http://www.metropolismag.com/pov/20080912/swoon-and-the-sea"&gt;Swoon and the Sea. &lt;/a&gt;&lt;br /&gt;Metropolismag.com, Sep. 12, 2008.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_Wpd9LA9RsGc/SuxjjZw11sI/AAAAAAAAALE/7FSk6GsGi6E/s1600-h/DongHwa-siteplan-1-fin.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_Wpd9LA9RsGc/SuxjjZw11sI/AAAAAAAAALE/7FSk6GsGi6E/s320/DongHwa-siteplan-1-fin.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.metropolismag.com/story/20080716/exporting-the-quad"&gt;Exporting the Quad: Moore Ruble Yudell—and a handful of other top firms—is reshaping the university experience by creating, overseas, that unique American place: the college campus. &lt;/a&gt;&lt;br /&gt;Metropolis, Jul./ Aug. 2008.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_Wpd9LA9RsGc/SutbaZyTS6I/AAAAAAAAACU/jWOqHA7rW1Y/s1600-h/Gang.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5398509087490263970" src="http://2.bp.blogspot.com/_Wpd9LA9RsGc/SutbaZyTS6I/AAAAAAAAACU/jWOqHA7rW1Y/s320/Gang.jpg" style="cursor: pointer; float: left; height: 213px; margin: 0pt 10px 10px 0pt; width: 320px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.metropolismag.com/cda/story.php?artid=3398"&gt;Jeanne Gang: The Art of Nesting.&lt;/a&gt;&lt;br /&gt;Metropolis, Jun. 2008.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_Wpd9LA9RsGc/Su3Vpr03riI/AAAAAAAAANk/SseI9uGLnz0/s1600-h/wallpaper.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_Wpd9LA9RsGc/Su3Vpr03riI/AAAAAAAAANk/SseI9uGLnz0/s320/wallpaper.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: right;"&gt;&lt;span style="font-size: xx-small;"&gt;PHOTO &lt;a href="http://stephenzacks.blogspot.com/"&gt;Stephen Zacks&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;a href="http://www.metropolismag.com/pov/20080528/forest-for-the-trees"&gt;Forest for the Trees.&lt;/a&gt;&lt;br /&gt;Metropolismag.com, May 28, 2008.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_Wpd9LA9RsGc/SuxmCxKXZ0I/AAAAAAAAALk/OkC2EXQmgCE/s1600-h/Big+couches.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_Wpd9LA9RsGc/SuxmCxKXZ0I/AAAAAAAAALk/OkC2EXQmgCE/s320/Big+couches.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.metropolismag.com/pov/20080502/home-sweet-home"&gt;Home Sweet Home.&lt;/a&gt;&lt;br /&gt;Metropolismag.com, May 2, 2008.&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_Wpd9LA9RsGc/Su27M1fcckI/AAAAAAAAAM8/kXPMDUrewDE/s1600-h/Bright-Sky-Pic.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/_Wpd9LA9RsGc/Su27M1fcckI/AAAAAAAAAM8/kXPMDUrewDE/s320/Bright-Sky-Pic.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.metropolismag.com/story/20080319/made-in-the-usa"&gt;Made in the USA: Contrary to popular belief, American manufacturing jobs haven’t all been shipped overseas. Utilizing better design and state-of-the-art technology, the sector has actually grown.&lt;/a&gt;&lt;br /&gt;Metropolis, Mar. 2008.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_Wpd9LA9RsGc/SuvhaA8KjGI/AAAAAAAAAKM/anz5i4F-oAU/s1600-h/kpf.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_Wpd9LA9RsGc/SuvhaA8KjGI/AAAAAAAAAKM/anz5i4F-oAU/s320/kpf.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.metropolismag.com/cda/story.php?artid=3244"&gt;Follow the Money: With the winning bid for the Hudson Rail Yards announced, the author takes a critical look at the flawed selection process. &lt;/a&gt;&lt;br /&gt;Metropolismag.com, Mar. 31, 2008.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_Wpd9LA9RsGc/SuxjtMmFGLI/AAAAAAAAALM/3Lx1ydSNl6g/s1600-h/security+wall.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_Wpd9LA9RsGc/SuxjtMmFGLI/AAAAAAAAALM/3Lx1ydSNl6g/s320/security+wall.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.metropolismag.com/story/20080220/beyond-the-wall"&gt;Beyond the Wall: A young architect finds promise in the concrete barriers that divide Israel and Palestine.&lt;/a&gt;&lt;br /&gt;Metropolis, Feb. 2008.&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_Wpd9LA9RsGc/Su27Tr5rAEI/AAAAAAAAANE/nOJBonIE8Us/s1600-h/Michael+Bell+house.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_Wpd9LA9RsGc/Su27Tr5rAEI/AAAAAAAAANE/nOJBonIE8Us/s320/Michael+Bell+house.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: right;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: xx-small;"&gt;PHOTO &lt;a href="http://www.bdphotography.com/"&gt;Bilyana Dimitrova&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;a href="http://www.metropolismag.com/story/20080116/vanishing-point"&gt;Vanishing Point: An architect best known for teaching and theory builds his first project—a Mies-inspired glass house—as a vessel for the disappearing self.&lt;/a&gt;&lt;br /&gt;Metropolis, Jan. 2008.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6729296230050688175-5397866982566952776?l=www.stephenzacks.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6729296230050688175/posts/default/5397866982566952776'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6729296230050688175/posts/default/5397866982566952776'/><link rel='alternate' type='text/html' href='http://www.stephenzacks.com/2009/11/portfolio-2008.html' title='2008'/><author><name>Stephen Zacks</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://4.bp.blogspot.com/_Wpd9LA9RsGc/TUSeSfn00hI/AAAAAAAAAqY/T3UVLpfYQXQ/s220/profile%2Bpic%2Bbronx.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_Wpd9LA9RsGc/Su25tDRmGwI/AAAAAAAAAMc/QdCtJjOZ83k/s72-c/Ozeaneum-04.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-6729296230050688175.post-5411422913559461819</id><published>2009-11-05T09:40:00.009-05:00</published><updated>2009-11-06T10:06:36.684-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='sustainability'/><category scheme='http://www.blogger.com/atom/ns#' term='economics'/><category scheme='http://www.blogger.com/atom/ns#' term='housing'/><category scheme='http://www.blogger.com/atom/ns#' term='Stephen Zacks'/><category scheme='http://www.blogger.com/atom/ns#' term='Peter Gluck'/><category scheme='http://www.blogger.com/atom/ns#' term='public art'/><category scheme='http://www.blogger.com/atom/ns#' term='Steven Holl'/><category scheme='http://www.blogger.com/atom/ns#' term='design/build'/><category scheme='http://www.blogger.com/atom/ns#' term='urban development'/><category scheme='http://www.blogger.com/atom/ns#' term='science labs'/><category scheme='http://www.blogger.com/atom/ns#' term='Beirut'/><category scheme='http://www.blogger.com/atom/ns#' term='social architecture'/><category scheme='http://www.blogger.com/atom/ns#' term='museums'/><category scheme='http://www.blogger.com/atom/ns#' term='memorial design'/><category scheme='http://www.blogger.com/atom/ns#' term='Dubai'/><title type='text'>2007</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/_Wpd9LA9RsGc/Sutd2x9Az1I/AAAAAAAAAC0/me98e-2Lcco/s1600-h/dubai.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5398511774037233490" src="http://1.bp.blogspot.com/_Wpd9LA9RsGc/Sutd2x9Az1I/AAAAAAAAAC0/me98e-2Lcco/s320/dubai.jpg" style="cursor: pointer; float: left; height: 320px; margin: 0pt 10px 10px 0pt; width: 317px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.metropolismag.com/cda/story.php?artid=3047"&gt;Beyond the Spectacle: Dubai’s insane rate of development is easy to misinterpret—even caricature—but the cliché obscures the city’s more serious ambitions. &lt;/a&gt;&lt;br /&gt;Metropolis, Nov. 2007.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_Wpd9LA9RsGc/SuvpX6uBnaI/AAAAAAAAAKk/L3Dz2lM-ua4/s1600-h/CHNA_MAN_10A_05_CMYK_REP.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_Wpd9LA9RsGc/SuvpX6uBnaI/AAAAAAAAAKk/L3Dz2lM-ua4/s320/CHNA_MAN_10A_05_CMYK_REP.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.metropolismag.com/story/20071017/the-global-contract"&gt;The Global Contract: The raging, unregulated world economy is now one we all share. How we reconcile that with the threats facing us will be the moral and technological dilemma of our time.&lt;/a&gt;&lt;br /&gt;Metropolis, Oct. 2007.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_Wpd9LA9RsGc/SuvZeZ43BXI/AAAAAAAAAJk/svuNqebebCA/s1600-h/gluck.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_Wpd9LA9RsGc/SuvZeZ43BXI/AAAAAAAAAJk/svuNqebebCA/s320/gluck.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.metropolismag.com/story/20070919/peter-glucks-social-work"&gt;Peter Gluck’s Social Work: An outspoken architect points the way to socially responsible practice.&lt;/a&gt;&lt;br /&gt;Metropolis, Sep. 2007.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_Wpd9LA9RsGc/SutzmOWshWI/AAAAAAAAAD8/-hGdSwb0q50/s1600-h/khoury.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5398535678859183458" src="http://2.bp.blogspot.com/_Wpd9LA9RsGc/SutzmOWshWI/AAAAAAAAAD8/-hGdSwb0q50/s320/khoury.jpg" style="cursor: pointer; float: left; height: 214px; margin: 0pt 10px 10px 0pt; width: 320px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: right;"&gt;&lt;br /&gt;&lt;span style="font-size: xx-small;"&gt;PHOTO &lt;a href="http://seanhemmerle.com/"&gt;Sean Hemmerle&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://www.metropolismag.com/story/20070725/the-discreet-charm-of-bernard-khoury"&gt;The Discreet Charm of Bernard Khoury: The context-driven work of an emerging architect reflects his deep ambivalence about the high-end reconstruction of Beirut.&lt;/a&gt;&lt;br /&gt;Metropolis, Jul. 2007.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_Wpd9LA9RsGc/SuvqGxhJ8fI/AAAAAAAAAKs/y5PGMEJHyo0/s1600-h/CT_Marguee_P79a.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_Wpd9LA9RsGc/SuvqGxhJ8fI/AAAAAAAAAKs/y5PGMEJHyo0/s320/CT_Marguee_P79a.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.metropolismag.com/story/20070620/site-specific"&gt;Site Specific: A new book puts the history of one of New York's premier public-art organizations into context.&lt;/a&gt;&lt;br /&gt;Metropolis, Jun. 2007.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_Wpd9LA9RsGc/Suxj2wwDVpI/AAAAAAAAALU/f4vg5k8jPYo/s1600-h/monumento-11.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_Wpd9LA9RsGc/Suxj2wwDVpI/AAAAAAAAALU/f4vg5k8jPYo/s320/monumento-11.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.metropolismag.com/story/20070620/the-eternal-glow"&gt;The Eternal Glow: Studio FAM’s memorial to victims of the 2004 Madrid train bombings. &lt;/a&gt;&lt;br /&gt;Metropolis, Jun. 2007.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_Wpd9LA9RsGc/SutfnmBx7dI/AAAAAAAAADE/wOrhvxLVlH0/s1600-h/Nelson+Atkins.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5398513712161222098" src="http://1.bp.blogspot.com/_Wpd9LA9RsGc/SutfnmBx7dI/AAAAAAAAADE/wOrhvxLVlH0/s320/Nelson+Atkins.jpg" style="cursor: pointer; float: left; height: 295px; margin: 0pt 10px 10px 0pt; width: 320px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.metropolismag.com/story/20070314/the-magic-lantern"&gt;The Magic Lantern: A masterful addition to the Nelson-Atkins Museum by Steven Holl Architects brightens the landscape of midtown Kansas City.&lt;/a&gt;&lt;br /&gt;Metropolis, Mar. 2007.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_Wpd9LA9RsGc/SuvbtyBAdZI/AAAAAAAAAJ8/EcOefxvcGXU/s1600-h/Vinoly.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_Wpd9LA9RsGc/SuvbtyBAdZI/AAAAAAAAAJ8/EcOefxvcGXU/s320/Vinoly.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.metropolismag.com/story/20070214/the-dna-of-science-labs"&gt;The DNA of Science Labs: Can architecture help produce paradigm-shifting discoveries? A research center by Rafael Vinoly aims to find out what makes scientists—and the human mind—tick. &lt;/a&gt;&lt;br /&gt;Metropolis, Feb. 2007.&lt;b&gt; &lt;br /&gt;&lt;/b&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6729296230050688175-5411422913559461819?l=www.stephenzacks.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6729296230050688175/posts/default/5411422913559461819'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6729296230050688175/posts/default/5411422913559461819'/><link rel='alternate' type='text/html' href='http://www.stephenzacks.com/2009/11/2007-beyond-spectacle-dubais-insane.html' title='2007'/><author><name>Stephen Zacks</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://4.bp.blogspot.com/_Wpd9LA9RsGc/TUSeSfn00hI/AAAAAAAAAqY/T3UVLpfYQXQ/s220/profile%2Bpic%2Bbronx.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_Wpd9LA9RsGc/Sutd2x9Az1I/AAAAAAAAAC0/me98e-2Lcco/s72-c/dubai.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-6729296230050688175.post-2384669568548247843</id><published>2009-11-05T09:38:00.001-05:00</published><updated>2009-11-06T10:08:41.721-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Balkans'/><category scheme='http://www.blogger.com/atom/ns#' term='Stephen Zacks'/><category scheme='http://www.blogger.com/atom/ns#' term='Oklahoma City'/><category scheme='http://www.blogger.com/atom/ns#' term='urban design'/><category scheme='http://www.blogger.com/atom/ns#' term='Nicosia'/><category scheme='http://www.blogger.com/atom/ns#' term='political design'/><category scheme='http://www.blogger.com/atom/ns#' term='urban development'/><category scheme='http://www.blogger.com/atom/ns#' term='New York City'/><category scheme='http://www.blogger.com/atom/ns#' term='parks'/><category scheme='http://www.blogger.com/atom/ns#' term='Beirut'/><category scheme='http://www.blogger.com/atom/ns#' term='Detroit'/><category scheme='http://www.blogger.com/atom/ns#' term='Rand Elliott'/><category scheme='http://www.blogger.com/atom/ns#' term='Kyong Park'/><category scheme='http://www.blogger.com/atom/ns#' term='Omaha'/><title type='text'>2006</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_Wpd9LA9RsGc/SuvR1a80LCI/AAAAAAAAAJc/tCZRm_N5h04/s1600-h/Rand+Elliott.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/_Wpd9LA9RsGc/SuvR1a80LCI/AAAAAAAAAJc/tCZRm_N5h04/s320/Rand+Elliott.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.metropolismag.com/cda/story.php?artid=2418"&gt;Native Son: Oklahoma City’s Rand Elliott carves out an impressive body of work that’s deeply rooted in place and local culture.&lt;/a&gt;&lt;br /&gt;Metropolis, Dec. 2006.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_Wpd9LA9RsGc/Su3V_w1So2I/AAAAAAAAANs/MXshHMvRPuk/s1600-h/spectacle_Kumbh-Mela_sm.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_Wpd9LA9RsGc/Su3V_w1So2I/AAAAAAAAANs/MXshHMvRPuk/s320/spectacle_Kumbh-Mela_sm.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.metropolismag.com/story/20061011/the-thrill-of-it-all"&gt;The Thrill of it All: Spectacle brings David Rockwell's zest for life to the printed page.&lt;/a&gt;&lt;br /&gt;Metropolis, Oct. 2006.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_Wpd9LA9RsGc/SuxqoHDuXoI/AAAAAAAAAMM/UStuwV1yoLk/s1600-h/29high_CA1.600.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_Wpd9LA9RsGc/SuxqoHDuXoI/AAAAAAAAAMM/UStuwV1yoLk/s320/29high_CA1.600.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.nytimes.com/2006/08/30/travel/30iht-balkan.2640933.html"&gt;A Caravan of Hope for the Balkans.&lt;/a&gt;&lt;br /&gt;International Herald Tribune, Sarajevo, Bosnia and Herzegovina, Sep. 12, 2006. &lt;br /&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_Wpd9LA9RsGc/SuthlafUi8I/AAAAAAAAADc/MEFsPtlaCyQ/s1600-h/29high_CA0.650.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5398515873727417282" src="http://3.bp.blogspot.com/_Wpd9LA9RsGc/SuthlafUi8I/AAAAAAAAADc/MEFsPtlaCyQ/s320/29high_CA0.650.jpg" style="cursor: pointer; float: left; height: 214px; margin: 0pt 10px 10px 0pt; width: 320px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.nytimes.com/2006/08/29/arts/design/29high.html?pagewanted=all"&gt;A Pilgrimage Through the Balkans, Looking for Dots to Connect. &lt;/a&gt;&lt;br /&gt;The New York Times, Sarajevo, Bosnia and Herzegovina, Aug. 29, 2006.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_Wpd9LA9RsGc/SuvMIvNi5yI/AAAAAAAAAJU/ikMhNe1jeL8/s1600-h/poolbargecolor.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_Wpd9LA9RsGc/SuvMIvNi5yI/AAAAAAAAAJU/ikMhNe1jeL8/s320/poolbargecolor.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.metropolismag.com/cda/story.php?artid=2299"&gt;The Politics of Pleasure: The Van Alen Institute’s latest exhibition is a scenic argument for the importance of recreational spaces in cities. &lt;/a&gt;&lt;br /&gt;Metropolis, Sep. 2006.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_Wpd9LA9RsGc/Suxq9duCilI/AAAAAAAAAMU/0_jWMzzEXTg/s1600-h/hollanddusk0216in.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_Wpd9LA9RsGc/Suxq9duCilI/AAAAAAAAAMU/0_jWMzzEXTg/s320/hollanddusk0216in.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.metropolismag.com/story/20060911/great-plains-urbanism"&gt; Great Plains Urbanism: The conservative, pragmatic Midwestern city of Omaha, Nebraska, institutes one of the country’s most progressive sets of urban-design standards. &lt;/a&gt;&lt;br /&gt;Metropolis, Sep. 2006.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_Wpd9LA9RsGc/SutoYGORt9I/AAAAAAAAADk/6MI3oip-Wjk/s1600-h/nicosia.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5398523341530314706" src="http://3.bp.blogspot.com/_Wpd9LA9RsGc/SutoYGORt9I/AAAAAAAAADk/6MI3oip-Wjk/s320/nicosia.jpg" style="cursor: pointer; float: left; height: 240px; margin: 0pt 10px 10px 0pt; width: 320px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: right;"&gt;&lt;br /&gt;&lt;span style="font-size: xx-small;"&gt;PHOTO &lt;a href="http://seanhemmerle.com/"&gt;Sean Hemmerle&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://www.metropolismag.com/story/20060515/the-great-divide"&gt;The Great Divide: With a border running through the center of Nicosia—and politicians squabbling—architects and planners on the opposing sides prepare for the city’s eventual reunification. &lt;/a&gt;&lt;br /&gt;Metropolis, Jun. 2006.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_Wpd9LA9RsGc/Sut1p61oFtI/AAAAAAAAAEE/OtDia4Slf3M/s1600-h/DDD0Hancockv5.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5398537941362939602" src="http://1.bp.blogspot.com/_Wpd9LA9RsGc/Sut1p61oFtI/AAAAAAAAAEE/OtDia4Slf3M/s320/DDD0Hancockv5.jpg" style="cursor: pointer; float: left; height: 240px; margin: 0pt 10px 10px 0pt; width: 320px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.metropolismag.com/story/20060515/orange-alert"&gt;Orange Alert: Detroit artists use color to draw attention to urban blight. &lt;/a&gt;&lt;br /&gt;Metropolis, Jun. 2006.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_Wpd9LA9RsGc/Su7-rd_0zyI/AAAAAAAAATE/nFxG01_RD2E/s1600-h/Hotson.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_Wpd9LA9RsGc/Su7-rd_0zyI/AAAAAAAAATE/nFxG01_RD2E/s320/Hotson.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.metropolismag.com/story/20060220/museum-on-the-mount"&gt;Museum on the Mount: New York-based architect David Hotson lands a commission for the most prominent site in Armenia.&lt;/a&gt; &lt;br /&gt;Metropolis, Mar. 2006.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_Wpd9LA9RsGc/Su287_bBF1I/AAAAAAAAANU/cRv4mB1dh1w/s1600-h/Solidere.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_Wpd9LA9RsGc/Su287_bBF1I/AAAAAAAAANU/cRv4mB1dh1w/s320/Solidere.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.metropolismag.com/story/20060220/the-heart-of-beirut"&gt;The Heart of Beirut: Developer Solidere has succeeded in restoring downtown as a meaningful public realm. &lt;/a&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;Metropolis, Mar. 2006.&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_Wpd9LA9RsGc/SuvZyEvZ7lI/AAAAAAAAAJs/jLLQTX7z_Ic/s1600-h/freelon.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/_Wpd9LA9RsGc/SuvZyEvZ7lI/AAAAAAAAAJs/jLLQTX7z_Ic/s320/freelon.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.metropolismag.com/story/20060220/beyond-black-white"&gt;Beyond Black + White: Philip Freelon built his firm from the ground up—and now he’s the go-to architect for African-American cultural commissions. &lt;/a&gt;&lt;br /&gt;Metropolis, Feb. 2006.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_Wpd9LA9RsGc/SuvaBZ5yYKI/AAAAAAAAAJ0/uMpcTiusjlo/s1600-h/kyong.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_Wpd9LA9RsGc/SuvaBZ5yYKI/AAAAAAAAAJ0/uMpcTiusjlo/s320/kyong.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.metropolismag.com/story/20051219/the-dark-side-of-architecture"&gt;The Dark Side of Architecture: A new book by Kyong Park looks for signs of rebirth in destruction. &lt;/a&gt;&lt;br /&gt;Metropolis, Jan. 2006.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6729296230050688175-2384669568548247843?l=www.stephenzacks.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6729296230050688175/posts/default/2384669568548247843'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6729296230050688175/posts/default/2384669568548247843'/><link rel='alternate' type='text/html' href='http://www.stephenzacks.com/2009/11/2006-native-son-oklahoma-citys-rand.html' title='2006'/><author><name>Stephen Zacks</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://4.bp.blogspot.com/_Wpd9LA9RsGc/TUSeSfn00hI/AAAAAAAAAqY/T3UVLpfYQXQ/s220/profile%2Bpic%2Bbronx.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_Wpd9LA9RsGc/SuvR1a80LCI/AAAAAAAAAJc/tCZRm_N5h04/s72-c/Rand+Elliott.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-6729296230050688175.post-1310833838998599148</id><published>2009-11-05T09:19:00.008-05:00</published><updated>2009-11-13T18:07:34.896-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Koreo'/><category scheme='http://www.blogger.com/atom/ns#' term='Balkans'/><category scheme='http://www.blogger.com/atom/ns#' term='housing'/><category scheme='http://www.blogger.com/atom/ns#' term='Stephen Zacks'/><category scheme='http://www.blogger.com/atom/ns#' term='gentrification'/><category scheme='http://www.blogger.com/atom/ns#' term='public art'/><category scheme='http://www.blogger.com/atom/ns#' term='urban design'/><category scheme='http://www.blogger.com/atom/ns#' term='political design'/><category scheme='http://www.blogger.com/atom/ns#' term='Tirana'/><category scheme='http://www.blogger.com/atom/ns#' term='sustainable design'/><category scheme='http://www.blogger.com/atom/ns#' term='urban development'/><category scheme='http://www.blogger.com/atom/ns#' term='Michigan'/><category scheme='http://www.blogger.com/atom/ns#' term='manufacturing'/><category scheme='http://www.blogger.com/atom/ns#' term='MC2'/><category scheme='http://www.blogger.com/atom/ns#' term='Albania'/><title type='text'>2005</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/_Wpd9LA9RsGc/SuvcG1PPYPI/AAAAAAAAAKE/b4IIihkMT9s/s1600-h/gentrillustration.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_Wpd9LA9RsGc/SuvcG1PPYPI/AAAAAAAAAKE/b4IIihkMT9s/s320/gentrillustration.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.metropolismag.com/story/20051121/in-praise-of-gentrification"&gt;In Praise of Gentrification: Why our traditional assumptions about economic development are all wrong.&lt;/a&gt; &lt;br /&gt;Metropolis, Dec. 2005.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_Wpd9LA9RsGc/SutRpnXfuYI/AAAAAAAAABs/CaxLOQjzNLU/s1600-h/vadetail1.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5398498353717688706" src="http://3.bp.blogspot.com/_Wpd9LA9RsGc/SutRpnXfuYI/AAAAAAAAABs/CaxLOQjzNLU/s320/vadetail1.jpg" style="cursor: pointer; float: left; height: 240px; margin: 0pt 10px 10px 0pt; width: 320px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.metropolismag.com/story/20051017/the-building-as-canvas"&gt;The Building as Canvas: A German studio responds to the ubiquitous Balkan air conditioner.&lt;/a&gt;&lt;br /&gt;Metropolis, Nov. 2005.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_Wpd9LA9RsGc/SuxkIa8g_5I/AAAAAAAAALc/U_rucMED3EE/s1600-h/michigan.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_Wpd9LA9RsGc/SuxkIa8g_5I/AAAAAAAAALc/U_rucMED3EE/s320/michigan.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.metropolismag.com/story/20051121/up-in-michigan"&gt;Up in Michigan: How the contract furniture industry became a beacon for sustainable design.&lt;/a&gt;&lt;br /&gt;Metropolis, Nov. 2005.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_Wpd9LA9RsGc/SuvIzXOgTYI/AAAAAAAAAIE/ClfX_LTPpdQ/s1600-h/Houston.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/_Wpd9LA9RsGc/SuvIzXOgTYI/AAAAAAAAAIE/ClfX_LTPpdQ/s320/Houston.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.metropolismag.com/story/20050725/family-reunion"&gt;Family Reunion: In Texas two brothers create a modern tribute to their Vietnamese roots, uniting three generations.&lt;/a&gt;&lt;br /&gt;Metropolis, Aug./Sep. 2005.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_Wpd9LA9RsGc/SuuXf-oxquI/AAAAAAAAAFw/3oDfO4xDfDg/s1600-h/Dmz1650.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5398575153979435746" src="http://2.bp.blogspot.com/_Wpd9LA9RsGc/SuuXf-oxquI/AAAAAAAAAFw/3oDfO4xDfDg/s320/Dmz1650.jpg" style="cursor: pointer; float: left; height: 212px; margin: 0pt 10px 10px 0pt; width: 320px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.nytimes.com/2005/07/23/arts/design/23dmz.html"&gt;Near No Man's Land, a Quest for Unity and Peace.&lt;/a&gt;&lt;br /&gt;The New York Times, Heyri Art Valley, South Korea, Jul. 23, 2005.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_Wpd9LA9RsGc/Su3oB-X3eAI/AAAAAAAAAP8/u2LzP6-arow/s1600-h/dissentcover.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_Wpd9LA9RsGc/Su3oB-X3eAI/AAAAAAAAAP8/u2LzP6-arow/s320/dissentcover.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.metropolismag.com/story/20050613/the-art-of-protest"&gt;The Design of Dissent: Socially and Politically Driven Graphics, by Milton Glaser and Mirko Illic.&lt;/a&gt; Review. Metropolis, Jul. 2005.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_Wpd9LA9RsGc/Su3WMgwDvtI/AAAAAAAAAN0/i63hwCpEHks/s1600-h/subreal.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_Wpd9LA9RsGc/Su3WMgwDvtI/AAAAAAAAAN0/i63hwCpEHks/s320/subreal.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: right;"&gt;&lt;br /&gt;&lt;span style="font-size: xx-small;"&gt;PHOTO &lt;a href="http://www.iokira.com/"&gt;Iosif Kiraly&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://www.metropolismag.com/story/20050516/how-to-renovate-a-totalitarian-building"&gt;How to Renovate a Totalitarian Building: Bucharest’s National Museum of Contemporary Art opens in a section of the wildly oversize Palace of Parliament Building.&lt;/a&gt;&lt;br /&gt;Metropolis, Jun. 2005.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_Wpd9LA9RsGc/Su8drVq8hzI/AAAAAAAAATc/oV9hWTnznrE/s1600-h/gracanica2.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/_Wpd9LA9RsGc/Su8drVq8hzI/AAAAAAAAATc/oV9hWTnznrE/s320/gracanica2.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://www.metropolismag.com/cda/story.php?artid=1077"&gt;&lt;br /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.europelostandfound.net/node/660"&gt;Symbolic Architecture: As ethnic conflict persists in Kosovo, churches and other buildings have become disputed territory.&lt;/a&gt;&lt;br /&gt;Metropolis, Jan. 2005. (A journal from this reporting trip is posted &lt;a href="http://www.europelostandfound.net/node/34"&gt;here&lt;/a&gt;.)&lt;b&gt; &lt;br /&gt;&lt;/b&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6729296230050688175-1310833838998599148?l=www.stephenzacks.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6729296230050688175/posts/default/1310833838998599148'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6729296230050688175/posts/default/1310833838998599148'/><link rel='alternate' type='text/html' href='http://www.stephenzacks.com/2009/11/2005-in-praise-of-gentrification-why.html' title='2005'/><author><name>Stephen Zacks</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://4.bp.blogspot.com/_Wpd9LA9RsGc/TUSeSfn00hI/AAAAAAAAAqY/T3UVLpfYQXQ/s220/profile%2Bpic%2Bbronx.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_Wpd9LA9RsGc/SuvcG1PPYPI/AAAAAAAAAKE/b4IIihkMT9s/s72-c/gentrillustration.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-6729296230050688175.post-3125377276540546325</id><published>2009-11-05T09:10:00.002-05:00</published><updated>2009-11-06T10:10:37.240-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='architectural theory'/><category scheme='http://www.blogger.com/atom/ns#' term='Vilnius'/><category scheme='http://www.blogger.com/atom/ns#' term='urban theory'/><category scheme='http://www.blogger.com/atom/ns#' term='urbanism'/><category scheme='http://www.blogger.com/atom/ns#' term='Stephen Zacks'/><category scheme='http://www.blogger.com/atom/ns#' term='Lithuania'/><category scheme='http://www.blogger.com/atom/ns#' term='urban design'/><category scheme='http://www.blogger.com/atom/ns#' term='historic landmarks'/><category scheme='http://www.blogger.com/atom/ns#' term='Winka Dubbeldam'/><category scheme='http://www.blogger.com/atom/ns#' term='urban development'/><category scheme='http://www.blogger.com/atom/ns#' term='computer-aided design'/><title type='text'>2004</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_Wpd9LA9RsGc/Su3nxNJrRnI/AAAAAAAAAP0/FyOtJoPBmp8/s1600-h/Winka.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/_Wpd9LA9RsGc/Su3nxNJrRnI/AAAAAAAAAP0/FyOtJoPBmp8/s320/Winka.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.metropolismag.com/cda/magazine.php?issue_date=2004-08-01"&gt;Winka’s Riff: An architect known for computer-generated forms and social theory builds her first real house. &lt;/a&gt;&lt;br /&gt;Metropolis, Aug./Sep. 2004.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_Wpd9LA9RsGc/Su77x_bdR5I/AAAAAAAAAS8/SUJyBVAKPWE/s1600-h/network.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_Wpd9LA9RsGc/Su77x_bdR5I/AAAAAAAAAS8/SUJyBVAKPWE/s320/network.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.deutschlandschaft.de/pdf/pressetexte/Metropolis_Sept04.pdf"&gt;Urban Studies: As the world grows more complex, designers undertake extracurricular projects to boost understanding of the changing urban environment.&lt;/a&gt; (PDF)&lt;br /&gt;Metropolis, Aug./Sep. 2004.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_Wpd9LA9RsGc/Sut2G6HHjVI/AAAAAAAAAEM/Vw_FEwxgc-g/s1600-h/Lithuania.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5398538439384075602" src="http://4.bp.blogspot.com/_Wpd9LA9RsGc/Sut2G6HHjVI/AAAAAAAAAEM/Vw_FEwxgc-g/s320/Lithuania.jpg" style="cursor: pointer; float: left; height: 240px; margin: 0pt 10px 10px 0pt; width: 320px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: right;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: xx-small;"&gt;PHOTO &lt;a href="http://stephenzacks.blogspot.com/"&gt;Stephen Zacks&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://www.metropolismag.com/story/20040201/a-new-coat-of-paint"&gt;A New Coat of Paint: Lithuania’s past complicates the restoration of its capital’s historic center.&lt;/a&gt;&lt;br /&gt;Metropolis, Feb. 2004.&lt;b&gt; &lt;br /&gt;&lt;/b&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6729296230050688175-3125377276540546325?l=www.stephenzacks.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6729296230050688175/posts/default/3125377276540546325'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6729296230050688175/posts/default/3125377276540546325'/><link rel='alternate' type='text/html' href='http://www.stephenzacks.com/2009/11/2004-winkas-riff-architect-known-for.html' title='2004'/><author><name>Stephen Zacks</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://4.bp.blogspot.com/_Wpd9LA9RsGc/TUSeSfn00hI/AAAAAAAAAqY/T3UVLpfYQXQ/s220/profile%2Bpic%2Bbronx.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_Wpd9LA9RsGc/Su3nxNJrRnI/AAAAAAAAAP0/FyOtJoPBmp8/s72-c/Winka.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-6729296230050688175.post-3742867112551454472</id><published>2009-11-05T08:58:00.002-05:00</published><updated>2009-11-06T10:11:06.329-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='West Bank'/><category scheme='http://www.blogger.com/atom/ns#' term='suburban sprawl'/><category scheme='http://www.blogger.com/atom/ns#' term='photography'/><category scheme='http://www.blogger.com/atom/ns#' term='Serbia'/><category scheme='http://www.blogger.com/atom/ns#' term='Stephen Zacks'/><category scheme='http://www.blogger.com/atom/ns#' term='public art'/><category scheme='http://www.blogger.com/atom/ns#' term='B&apos;tselem'/><category scheme='http://www.blogger.com/atom/ns#' term='mapping'/><category scheme='http://www.blogger.com/atom/ns#' term='political design'/><category scheme='http://www.blogger.com/atom/ns#' term='Israel'/><category scheme='http://www.blogger.com/atom/ns#' term='urbanism'/><category scheme='http://www.blogger.com/atom/ns#' term='democratic design'/><category scheme='http://www.blogger.com/atom/ns#' term='human rights'/><category scheme='http://www.blogger.com/atom/ns#' term='architecture'/><category scheme='http://www.blogger.com/atom/ns#' term='Eyal Weizman'/><category scheme='http://www.blogger.com/atom/ns#' term='Panama'/><title type='text'>2003</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_Wpd9LA9RsGc/Su3nn-SnTwI/AAAAAAAAAPs/RAPPN4W6vGI/s1600-h/Satellite+House.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_Wpd9LA9RsGc/Su3nn-SnTwI/AAAAAAAAAPs/RAPPN4W6vGI/s320/Satellite+House.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.metropolismag.com/story/20030801/antiwar-machine"&gt;Anti-War Machine: Can a design for a vacation house comment seriously on international politics?&lt;/a&gt;&lt;br /&gt;Metropolis, Aug./Sep. 2003.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_Wpd9LA9RsGc/SuvISm-PpjI/AAAAAAAAAH8/WP1a_vJLtMc/s1600-h/ARAUJO7.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/_Wpd9LA9RsGc/SuvISm-PpjI/AAAAAAAAAH8/WP1a_vJLtMc/s320/ARAUJO7.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.metropolismag.com/story/20030701/the-art-of-democracy"&gt;The Art of Democracy: What an urban art festival in Panama City can teach Americans about freedom of speech, memory, and art in the public realm.&lt;/a&gt;&lt;br /&gt;Metropolis, Jul. 2003.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_Wpd9LA9RsGc/Sutqm2BWjQI/AAAAAAAAADs/9nv7pcYBo6M/s1600-h/Weizman.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5398525793902431490" src="http://3.bp.blogspot.com/_Wpd9LA9RsGc/Sutqm2BWjQI/AAAAAAAAADs/9nv7pcYBo6M/s320/Weizman.jpg" style="cursor: pointer; float: left; height: 218px; margin: 0pt 10px 10px 0pt; width: 320px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.metropolismag.com/story/20030201/lay-of-the-land"&gt;Lay of the Land: A new map of the West Bank reveals a troubling phenomenon—urban sprawl as human rights abuse.&lt;/a&gt;&lt;br /&gt;Metropolis, Feb. 2003.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6729296230050688175-3742867112551454472?l=www.stephenzacks.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6729296230050688175/posts/default/3742867112551454472'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6729296230050688175/posts/default/3742867112551454472'/><link rel='alternate' type='text/html' href='http://www.stephenzacks.com/2009/11/2003-anti-war-machine-can-design-for.html' title='2003'/><author><name>Stephen Zacks</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://4.bp.blogspot.com/_Wpd9LA9RsGc/TUSeSfn00hI/AAAAAAAAAqY/T3UVLpfYQXQ/s220/profile%2Bpic%2Bbronx.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_Wpd9LA9RsGc/Su3nn-SnTwI/AAAAAAAAAPs/RAPPN4W6vGI/s72-c/Satellite+House.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-6729296230050688175.post-3887143817927404397</id><published>2009-11-05T08:50:00.005-05:00</published><updated>2009-11-13T18:21:10.811-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='punk rock'/><category scheme='http://www.blogger.com/atom/ns#' term='Main Street'/><category scheme='http://www.blogger.com/atom/ns#' term='Stephen Zacks'/><category scheme='http://www.blogger.com/atom/ns#' term='local architecture'/><category scheme='http://www.blogger.com/atom/ns#' term='Michigan'/><category scheme='http://www.blogger.com/atom/ns#' term='urban design'/><category scheme='http://www.blogger.com/atom/ns#' term='redevelopment'/><category scheme='http://www.blogger.com/atom/ns#' term='historic landmarks'/><category scheme='http://www.blogger.com/atom/ns#' term='Flint'/><category scheme='http://www.blogger.com/atom/ns#' term='urban development'/><title type='text'>2002</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_Wpd9LA9RsGc/SuvHuM-gbPI/AAAAAAAAAH0/KUcSC5AyLTw/s1600-h/Joel+Rash.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_Wpd9LA9RsGc/SuvHuM-gbPI/AAAAAAAAAH0/KUcSC5AyLTw/s320/Joel+Rash.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.metropolismag.com/html/content_1102/ob/ob03_1102.html"&gt;Punk-Rock Urbanism: Joel Rash and friends built Flint, Michigan, on rock and roll.&lt;/a&gt;&lt;br /&gt;Metropolis, Nov. 2002.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6729296230050688175-3887143817927404397?l=www.stephenzacks.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6729296230050688175/posts/default/3887143817927404397'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6729296230050688175/posts/default/3887143817927404397'/><link rel='alternate' type='text/html' href='http://www.stephenzacks.com/2009/11/2002-punk-rock-urbanism-joel-rash-and.html' title='2002'/><author><name>Stephen Zacks</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://4.bp.blogspot.com/_Wpd9LA9RsGc/TUSeSfn00hI/AAAAAAAAAqY/T3UVLpfYQXQ/s220/profile%2Bpic%2Bbronx.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_Wpd9LA9RsGc/SuvHuM-gbPI/AAAAAAAAAH0/KUcSC5AyLTw/s72-c/Joel+Rash.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-6729296230050688175.post-2985882665811775535</id><published>2009-11-05T08:45:00.005-05:00</published><updated>2009-11-13T18:20:34.850-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='shantytowns'/><category scheme='http://www.blogger.com/atom/ns#' term='Abuja'/><category scheme='http://www.blogger.com/atom/ns#' term='Stephen Zacks'/><category scheme='http://www.blogger.com/atom/ns#' term='democratic design'/><category scheme='http://www.blogger.com/atom/ns#' term='Nigeria'/><category scheme='http://www.blogger.com/atom/ns#' term='Village Voice'/><category scheme='http://www.blogger.com/atom/ns#' term='political design'/><category scheme='http://www.blogger.com/atom/ns#' term='architecture'/><category scheme='http://www.blogger.com/atom/ns#' term='urban planning'/><category scheme='http://www.blogger.com/atom/ns#' term='FESPACO'/><category scheme='http://www.blogger.com/atom/ns#' term='African film'/><title type='text'>2001</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_Wpd9LA9RsGc/SutzGUwYoRI/AAAAAAAAAD0/S_nuKNkHpT0/s1600-h/Clinton+Drive.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5398535130821730578" src="http://3.bp.blogspot.com/_Wpd9LA9RsGc/SutzGUwYoRI/AAAAAAAAAD0/S_nuKNkHpT0/s320/Clinton+Drive.jpg" style="cursor: pointer; float: left; height: 211px; margin: 0pt 10px 10px 0pt; width: 320px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: right;"&gt;&lt;br /&gt;&lt;span style="font-size: xx-small;"&gt;PHOTO &lt;a href="http://stephenzacks.blogspot.com/"&gt;Stephen Zacks&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://www.metropolismag.com/html/content_0701/ob/ob01.html"&gt;Capital Idea: Can Nigeria live up to the democratic ideals inherent in its new capital city’s design?&lt;/a&gt;&lt;br /&gt;Metropolis, Jul. 2001.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_Wpd9LA9RsGc/Su4DGmiKaTI/AAAAAAAAAR0/LVMFIxZxxCU/s1600-h/faat-kine.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_Wpd9LA9RsGc/Su4DGmiKaTI/AAAAAAAAAR0/LVMFIxZxxCU/s320/faat-kine.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.villagevoice.com/2001-04-17/film/harlem-renaissance/"&gt;Harlem Renaissance.&lt;/a&gt;&lt;br /&gt;The Village Voice, New York, Apr. 18, 2001.&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_Wpd9LA9RsGc/Su4FzzdWqCI/AAAAAAAAASM/qo99t3kifbQ/s1600-h/Dream+of+the+Python.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_Wpd9LA9RsGc/Su4FzzdWqCI/AAAAAAAAASM/qo99t3kifbQ/s320/Dream+of+the+Python.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.villagevoice.com/2001-03-13/film/desert-roses/"&gt;Desert Roses: African Film Comes of Age.&lt;/a&gt;&lt;br /&gt;The Village Voice, Ouagadougou, Burkina Faso, Mar. 10, 2001.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6729296230050688175-2985882665811775535?l=www.stephenzacks.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6729296230050688175/posts/default/2985882665811775535'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6729296230050688175/posts/default/2985882665811775535'/><link rel='alternate' type='text/html' href='http://www.stephenzacks.com/2009/11/2001-photo-stephen-zacks-capital-idea.html' title='2001'/><author><name>Stephen Zacks</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://4.bp.blogspot.com/_Wpd9LA9RsGc/TUSeSfn00hI/AAAAAAAAAqY/T3UVLpfYQXQ/s220/profile%2Bpic%2Bbronx.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_Wpd9LA9RsGc/SutzGUwYoRI/AAAAAAAAAD0/S_nuKNkHpT0/s72-c/Clinton+Drive.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-6729296230050688175.post-5239649397195200169</id><published>2009-11-05T08:37:00.003-05:00</published><updated>2009-11-06T10:12:34.606-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='economics'/><category scheme='http://www.blogger.com/atom/ns#' term='urbanism'/><category scheme='http://www.blogger.com/atom/ns#' term='Serbia'/><category scheme='http://www.blogger.com/atom/ns#' term='Stephen Zacks'/><category scheme='http://www.blogger.com/atom/ns#' term='graphic design'/><category scheme='http://www.blogger.com/atom/ns#' term='Detroit'/><category scheme='http://www.blogger.com/atom/ns#' term='political design'/><category scheme='http://www.blogger.com/atom/ns#' term='bond ratings'/><category scheme='http://www.blogger.com/atom/ns#' term='Otpor'/><category scheme='http://www.blogger.com/atom/ns#' term='casinos'/><title type='text'>2000</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_Wpd9LA9RsGc/Su4EHXZ6sgI/AAAAAAAAASE/DBkAItw_D7U/s1600-h/otpor2.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_Wpd9LA9RsGc/Su4EHXZ6sgI/AAAAAAAAASE/DBkAItw_D7U/s320/otpor2.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.metropolismag.com/html/content_1100/ob.htm"&gt;Fashion Statement: A T-shirt becomes an important weapon in the war against Slobodan Milosevic.&lt;/a&gt;&lt;br /&gt;Metropolis, Nov. 2000.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_Wpd9LA9RsGc/Su8d0X7KMzI/AAAAAAAAATk/fgw1VVWGeEw/s1600-h/Detroit+casinos.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_Wpd9LA9RsGc/Su8d0X7KMzI/AAAAAAAAATk/fgw1VVWGeEw/s320/Detroit+casinos.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.metropolismag.com/html/content_1000/ob.htm"&gt;Shell Game: No one’s talking about the real reason Detroit wants casinos.&lt;/a&gt;&lt;br /&gt;Metropolis, Oct. 2000.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6729296230050688175-5239649397195200169?l=www.stephenzacks.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6729296230050688175/posts/default/5239649397195200169'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6729296230050688175/posts/default/5239649397195200169'/><link rel='alternate' type='text/html' href='http://www.stephenzacks.com/2009/11/2000-fashion-statement-t-shirt-becomes.html' title='2000'/><author><name>Stephen Zacks</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://4.bp.blogspot.com/_Wpd9LA9RsGc/TUSeSfn00hI/AAAAAAAAAqY/T3UVLpfYQXQ/s220/profile%2Bpic%2Bbronx.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_Wpd9LA9RsGc/Su4EHXZ6sgI/AAAAAAAAASE/DBkAItw_D7U/s72-c/otpor2.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-6729296230050688175.post-5130299812720491191</id><published>2009-11-05T08:34:00.004-05:00</published><updated>2009-11-16T14:06:50.347-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='economics'/><category scheme='http://www.blogger.com/atom/ns#' term='urbanism'/><category scheme='http://www.blogger.com/atom/ns#' term='Stephen Zacks'/><category scheme='http://www.blogger.com/atom/ns#' term='gentrification'/><category scheme='http://www.blogger.com/atom/ns#' term='public art'/><category scheme='http://www.blogger.com/atom/ns#' term='mapping'/><category scheme='http://www.blogger.com/atom/ns#' term='political design'/><category scheme='http://www.blogger.com/atom/ns#' term='manufacturing'/><category scheme='http://www.blogger.com/atom/ns#' term='African film'/><category scheme='http://www.blogger.com/atom/ns#' term='urban development'/><category scheme='http://www.blogger.com/atom/ns#' term='New York City'/><title type='text'>Books and Peer-Reviewed Journals</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_Wpd9LA9RsGc/Su3b3DTNe3I/AAAAAAAAAO8/lwMTq5YfJoM/s1600-h/arcobjregimg156_6.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_Wpd9LA9RsGc/Su3b3DTNe3I/AAAAAAAAAO8/lwMTq5YfJoM/s320/arcobjregimg156_6.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;"Downtown Alternative Space."&lt;br /&gt;Storefront for Art and Architecture, 1982 - 200x, ed. Sarah Herda, Joseph Grima, Kyong Park, and Irene Sunwoo. (forthcoming)&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_Wpd9LA9RsGc/Su3YO-IL3DI/AAAAAAAAAN8/ZThGn8Jxo8E/s1600-h/publications-notebook.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_Wpd9LA9RsGc/Su3YO-IL3DI/AAAAAAAAAN8/ZThGn8Jxo8E/s320/publications-notebook.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;"Factory Town: Reports of the death of manufacturing in New York have been greatly exaggerated.”&lt;br /&gt;&lt;a href="http://ifud.org/new-york-2030-notebook"&gt;The New York 2030 Notebook&lt;/a&gt;, ed. Jeff Byles and Olympia Kazi. New York: Institute for Urban Design, 2008.&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_Wpd9LA9RsGc/Su4GC4XgtMI/AAAAAAAAASU/JsA_NL52TjU/s1600-h/Else+Where.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_Wpd9LA9RsGc/Su4GC4XgtMI/AAAAAAAAASU/JsA_NL52TjU/s320/Else+Where.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;“Contested Territories: Interview with Eyal Weizman.”&lt;br /&gt;&lt;a href="http://www.amazon.com/Else-Where-Cartographies-Networks-Territories/dp/0972969624"&gt;Else/Where: Mapping - New Cartographies of Networks and Territories&lt;/a&gt;, ed. Janet Abrams and Peter Hall. Minneapolis, MN: University of Minnesota Press, 2006.&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_Wpd9LA9RsGc/Su4GN62ggHI/AAAAAAAAASc/itovWfe-GKc/s1600-h/Multiple.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_Wpd9LA9RsGc/Su4GN62ggHI/AAAAAAAAASc/itovWfe-GKc/s320/Multiple.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;“The Art of Democracy.”&lt;br /&gt;&lt;a href="http://www.amazon.com/Ciudad-Multiple-City-Experiment-Context/dp/9068325426"&gt;Urban Art and Global Cities: An Experiment in Context&lt;/a&gt;, ed. Gerardo Mosquera and Adrienne Samos. Amsterdam: Kitt Publishers, 2004.&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_Wpd9LA9RsGc/Su4GdwqMFxI/AAAAAAAAASk/HddkZww2taw/s1600-h/51NXS4643HL._SS500_.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_Wpd9LA9RsGc/Su4GdwqMFxI/AAAAAAAAASk/HddkZww2taw/s320/51NXS4643HL._SS500_.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;"La Haine, or Culture Wars in Paris and the Banlieues.”&lt;br /&gt;&lt;a href="http://www.amazon.com/African-Images-Recent-Studies-Selected/dp/086543820X"&gt;African Images: Recent Studies and Text in Cinema&lt;/a&gt;, ed. Maureen N. Eke, Kenneth W. Harrow, Emmanuel Yewah. Trenton, NJ: Africa World Press, 2000.&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_Wpd9LA9RsGc/Su4GnWnFwWI/AAAAAAAAASs/E8306M--7CQ/s1600-h/African+Cinema.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/_Wpd9LA9RsGc/Su4GnWnFwWI/AAAAAAAAASs/E8306M--7CQ/s320/African+Cinema.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://books.google.com/books?id=kRR2fBv2NhUC&amp;amp;pg=PA75&amp;amp;lpg=PA75&amp;amp;dq=%E2%80%9CA+Problematic+Sign+of+African+Difference+in+Trinh+T.+Minh-ha%E2%80%99s+Reassemblage.%E2%80%9D&amp;amp;source=bl&amp;amp;ots=8c2pLauH1B&amp;amp;sig=HVdXBppSsjER8FRLMnoIEWviuHU&amp;amp;hl=en&amp;amp;ei=_IXrSszQHoiSlAepz5mABQ&amp;amp;sa=X&amp;amp;oi=book_result&amp;amp;ct=result&amp;amp;resnum=2&amp;amp;ved=0CAsQ6AEwAQ#v=onepage&amp;amp;q=%E2%80%9CA%20Problematic%20Sign%20of%20African%20Difference%20in%20Trinh%20T.%20Minh-ha%E2%80%99s%20Reassemblage.%E2%80%9D&amp;amp;f=false"&gt;“A Problematic Sign of African Difference in Trinh T. Minh-ha’s Reassemblage.”&lt;/a&gt;&lt;br /&gt;African Cinema: Post-Colonial and Feminist Readings, ed. Kenneth W. Harrow. Trenton, NY: Africa World Press, 1999.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://books.google.com/books?id=kRR2fBv2NhUC&amp;amp;pg=PA3&amp;amp;lpg=PA3&amp;amp;dq=%E2%80%9CThe+Theoretical+Construction+of+African+Cinema.%E2%80%9D&amp;amp;source=bl&amp;amp;ots=8c2pLauG3z&amp;amp;sig=k1NZYP1eFexrvUQye5Rm8SMIaDI&amp;amp;hl=en&amp;amp;ei=qoXrSvWRL8yolAfwkvn_BA&amp;amp;sa=X&amp;amp;oi=book_result&amp;amp;ct=result&amp;amp;resnum=6&amp;amp;ved=0CBsQ6AEwBQ#v=onepage&amp;amp;q=%E2%80%9CThe%20Theoretical%20Construction%20of%20African%20Cinema.%E2%80%9D&amp;amp;f=false"&gt;“The Theoretical Construction of African Cinema.”&lt;/a&gt;&lt;br /&gt;African Cinema: Post-Colonial and Feminist Readings, ed. Kenneth W. Harrow. Trenton, NJ: Africa World Press, 1999.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6729296230050688175-5130299812720491191?l=www.stephenzacks.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6729296230050688175/posts/default/5130299812720491191'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6729296230050688175/posts/default/5130299812720491191'/><link rel='alternate' type='text/html' href='http://www.stephenzacks.com/2009/11/books-and-peer-reviewed-journals.html' title='Books and Peer-Reviewed Journals'/><author><name>Stephen Zacks</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://4.bp.blogspot.com/_Wpd9LA9RsGc/TUSeSfn00hI/AAAAAAAAAqY/T3UVLpfYQXQ/s220/profile%2Bpic%2Bbronx.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_Wpd9LA9RsGc/Su3b3DTNe3I/AAAAAAAAAO8/lwMTq5YfJoM/s72-c/arcobjregimg156_6.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-6729296230050688175.post-5755874314631269744</id><published>2009-11-05T08:28:00.014-05:00</published><updated>2010-02-01T21:20:53.041-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Stephen Zacks'/><category scheme='http://www.blogger.com/atom/ns#' term='Hashim Sarkis'/><category scheme='http://www.blogger.com/atom/ns#' term='design'/><category scheme='http://www.blogger.com/atom/ns#' term='urban design'/><category scheme='http://www.blogger.com/atom/ns#' term='political design'/><category scheme='http://www.blogger.com/atom/ns#' term='Alan Moore'/><category scheme='http://www.blogger.com/atom/ns#' term='urban planning'/><category scheme='http://www.blogger.com/atom/ns#' term='parks'/><category scheme='http://www.blogger.com/atom/ns#' term='urbanism'/><category scheme='http://www.blogger.com/atom/ns#' term='Interboro'/><category scheme='http://www.blogger.com/atom/ns#' term='Detroit'/><category scheme='http://www.blogger.com/atom/ns#' term='Laura Kurgan'/><category scheme='http://www.blogger.com/atom/ns#' term='architecture'/><category scheme='http://www.blogger.com/atom/ns#' term='Dubai'/><title type='text'>Panels, Presentations, Juries, and Reviews</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;a href="http://4.bp.blogspot.com/_Wpd9LA9RsGc/S2eJ-rkwNcI/AAAAAAAAAVY/NDTUx6rWN8g/s1600-h/Hunters+Point+South.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_Wpd9LA9RsGc/S2eJ-rkwNcI/AAAAAAAAAVY/NDTUx6rWN8g/s320/Hunters+Point+South.jpg" /&gt;&lt;/a&gt;&amp;nbsp;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;a href="http://www.arch.columbia.edu/users/mjb92columbiaedu"&gt;Michael Bell, Hunters Point South housing studios&lt;/a&gt;, critic.&amp;nbsp;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;Columbia University, GSAPP, Dec. 9, 2009.&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;a href="http://1.bp.blogspot.com/_Wpd9LA9RsGc/Su3bj6pmurI/AAAAAAAAAOk/CHppUhllGQg/s1600-h/RES1980exterior.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_Wpd9LA9RsGc/Su3bj6pmurI/AAAAAAAAAOk/CHppUhllGQg/s320/RES1980exterior.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://homebaseproject.com/html/schedule.html"&gt;How to Squat: a conversation with Alan Moore&lt;/a&gt;.&lt;br /&gt;HomeBase Project, May 16, 2009.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_Wpd9LA9RsGc/Su3cI-o4hdI/AAAAAAAAAPE/Wihy0h1wsHY/s1600-h/redhook_panorama02_sm.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/_Wpd9LA9RsGc/Su3cI-o4hdI/AAAAAAAAAPE/Wihy0h1wsHY/s320/redhook_panorama02_sm.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://afhny.org/content/projects/red_hook_vendors"&gt;Red Hook Vendors design competition&lt;/a&gt;, jury member.&lt;br /&gt;Architecture for Humanity NY, Dec. 12, 2008.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_Wpd9LA9RsGc/Su3e4LTrjKI/AAAAAAAAAPM/hJIy7fOWHIo/s1600-h/site_plan_collage.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/_Wpd9LA9RsGc/Su3e4LTrjKI/AAAAAAAAAPM/hJIy7fOWHIo/s320/site_plan_collage.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.gsd.harvard.edu/academic/arch/pdf/spr08thesisfinalreview.pdf"&gt;Hashim Sarkis, final thesis reviews, critic&lt;/a&gt;.&lt;br /&gt;Harvard Graduate School of Design. May 15, 2008.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_Wpd9LA9RsGc/Su3fAOKjFsI/AAAAAAAAAPU/gByzjJejGs8/s1600-h/People_dollars_sm.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/_Wpd9LA9RsGc/Su3fAOKjFsI/AAAAAAAAAPU/gByzjJejGs8/s320/People_dollars_sm.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.environmentalhealthclinic.net/news/blogs/designheroix/41308-laura-kurgan-12-2pm/"&gt;Design Heroix: Laura Kurgan&lt;/a&gt;, respondent.&lt;br /&gt;AIA Center for Architecture, Apr. 13, 2008.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_Wpd9LA9RsGc/Su3f5CC7TlI/AAAAAAAAAPc/MYC21ZTuOTA/s1600-h/PICT0053.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/_Wpd9LA9RsGc/Su3f5CC7TlI/AAAAAAAAAPc/MYC21ZTuOTA/s320/PICT0053.JPG" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: right;"&gt;&lt;br /&gt;&lt;span style="font-size: xx-small;"&gt;PHOTO &lt;a href="http://stephenzacks.blogspot.com/"&gt;Stephen Zacks&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;Smart and Sustainable Cities, moderator.&lt;br /&gt;International Design Forum Dubai, May 28, 2007.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_Wpd9LA9RsGc/Su3hFlVZPXI/AAAAAAAAAPk/TjyowDx_uWw/s1600-h/PICT0085.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/_Wpd9LA9RsGc/Su3hFlVZPXI/AAAAAAAAAPk/TjyowDx_uWw/s320/PICT0085.JPG" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: right;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: right;"&gt;&lt;br /&gt;&lt;span style="font-size: xx-small;"&gt;PHOTO &lt;a href="http://stephenzacks.blogspot.com/"&gt;Stephen Zacks&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;a href="http://www.shrinkingcities.com/389.0.html"&gt;Improve your Lot! Shrinking Cities&lt;/a&gt;, panelist.&lt;br /&gt;Museum of Contemporary Art Detroit, Feb. 4, 2007.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6729296230050688175-5755874314631269744?l=www.stephenzacks.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6729296230050688175/posts/default/5755874314631269744'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6729296230050688175/posts/default/5755874314631269744'/><link rel='alternate' type='text/html' href='http://www.stephenzacks.com/2009/11/panels-presentations-juries-and-reviews.html' title='Panels, Presentations, Juries, and Reviews'/><author><name>Stephen Zacks</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://4.bp.blogspot.com/_Wpd9LA9RsGc/TUSeSfn00hI/AAAAAAAAAqY/T3UVLpfYQXQ/s220/profile%2Bpic%2Bbronx.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_Wpd9LA9RsGc/S2eJ-rkwNcI/AAAAAAAAAVY/NDTUx6rWN8g/s72-c/Hunters+Point+South.jpg' height='72' width='72'/></entry></feed>
